AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Rawane Nassif on TURTLES ARE ALWAYS HOME

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Rawane Nassif on TURTLES ARE ALWAYS HOME

In Rawane Nassif’s unusual short Documentary, Turtles Are Always Home, Qatar’s pastel-hued buildings form the backdrop for an engagingly enigmatic film essay. The only signs of life are captured as reflections in windows and on water. What a stunning way to tell a story. Read what filmmaker Rawane Nassif has to say about her intent and methods.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Justine Harbonnier on ANDREW KEEGAN IS MOVING

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview:  Justine Harbonnier on ANDREW KEEGAN IS MOVING

Filmmaker Justine Harbonnier takes us to Montreal, where the city’s oldest house is being moved to make way for posh modern condos. Her profound and poetic film reflects her questions about how such moves impact a neighborhood and its residents, and others who pass by without even noticing these changes that effect the future of their city. Read what she has to day about making the film and her future plans.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Alexandra Gaulupeau on LIFE AT A SNAIL’S PACE

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Alexandra Gaulupeau on LIFE AT A SNAIL’S PACE

Filmmaker Alexandra Gaulupeau takes us into the unique world of Marla Coppolino, a malacologist (snail expert), artist and self-proclaimed spokesperson for the largely misunderstood diminutive species of land snails. Through the creation of elaborate miniature scenes and cello scores, Coppolino displays her own mighty appreciation for the tiny, slimy (and surprisingly sexy) creatures! Read what Alexandra Gaulupeau has to say about making her first film, microphotography and mini-budgeting and connecting people to the natural world.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Claire Simon on LE CONCOURS

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Claire Simon on LE CONCOURS

Le Concours, translated as “The Entrance Exam,” is an in-depth and intimate look at the students applying to La Fémis, one of the world’s most famous and prestigious film, where filmmaker Claire Simon was Head of Directing Studies. As the budding cinéastes struggle to find a place, the narrative spends a good deal of time with their interlocutors, pulling back the curtain to reveal the depth of seriousness and care that is extended to the students. Impassioned arguments about merit, and the very nature of cinema are hurled into the air. Read what Claire Simon has to say about her most recent project.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Julia Hechler on LES CLOYS

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Julia Hechler on LES CLOYS

In a particular Parisian neighborhood, residents have devised a means of establishing their own cultural identity and reclaiming their person power through the creation of a slanguage they call Verlan (back to front). American filmmaker Julia Hechler captures their trending tongue on film. Read what she has to say about the importance of language, getting to know your subjects and her next career moves.

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AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan Su Chun on DROKPA

AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan  Su Chun on DROKPA

Filmmaker Yan Chun Su’s gorgeous observational film captures life on the Tibetan Plateau. The last of Tibet’s drokpa (nomads) lead herds of yak and sheep over hilly grasslands. No longer limitless and free- ranging, they move across sections of pasture, now allotted to them by the Chinese government. Read what Yan Chun Su has to say about the changing environment, nomadic life, organic filmmaking and her career.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Clara van Gool on VOICES OF FINANCE

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Clara van Gool on VOICES OF FINANCE

Dutch filmmaker Clara van Gool’s short dance documentary takes us to London’s bleak financial district, where traders, bankers, and hedge fund managers describe an atavistic society, blood red in tooth and claw. As they move through the city streets, bodies become a metaphor for the extremity of an industry that twists and bends human nature into torturous form. Read what Clara van Gool has to say about making the film, dance as metaphor and her career.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Cat Mills on FIXED!

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Cat Mills on FIXED!

Repair cafes are popping up around the world as a community-based antidote to throwaway culture. In Cat Mills’ EDA Award-nominated short,
Fixed!, we get a glimpse inside Canada’s first repair cafe in Toronto, where a team of dedicated volunteers are helping their neighbors, one fix at a time. Read what she has to say about her beautifully crafted film, its riveting subjects, and her career.

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AWFJ EDA Awards @ DOXA 2017 Filmmaker Interview: Elisa Chee on LUCY

AWFJ EDA Awards @ DOXA 2017 Filmmaker Interview: Elisa Chee on LUCY

Vancouver-based filmmaker Elisa Chee uses masterful animation to recall the story of a domesticated chimpanzee called Lucy and a human named Janis Carter, the caretaker who made it her life’s work to rehabilitate Lucy and return her to her natural environment. /Read what she has to say about her beautifully crafted short film, its subjects, animation in documentaries and her career.

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National Film Board of Canada aims for gender parity by 2020 — Jennifer Merin reports

National Film Board of Canada aims for gender parity by 2020  — Jennifer Merin reports

Government Film Commissioner and NFB Chairperson Claude Joli-Coeur announced that the NFB is aiming to achieve gender parity (50 percent) in key creative positions for animated, documentary and interactive works in production as of 2020. The initiative targets editing, cinematography, screenwriting and music composition and includes key creative positions related to animation and immersive/interactive storytelling, where women are decidedly in the minority—positions such as art director, art designer and creative technologist.

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