Chanda Chevannes on Making UNFRACTURED, Activism and Refusing to ‘Play the Part’

Chanda Chevannes on Making UNFRACTURED, Activism and Refusing to ‘Play the Part’

On a chilly November evening in 2014, I was sitting in a rental car outside the county jail in Watkins Glen, New York. My video camera was turned on, and resting in my lap. I had already set my white balance, exposure, and focal length. And since I had nothing to do but sit in the dark parking lot and wait, a steady stream of thoughts began to run through my mind. Or, more accurately, one thought raced around in there: Why am I doing this to myself?

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Filmmaker Interview: Directors Sabine Krayenbühl and Zeva Oelbaum on LETTERS FROM BAGHDAD

Filmmaker Interview: Directors Sabine Krayenbühl and Zeva Oelbaum on LETTERS FROM BAGHDAD

Letters from Baghdad tells the little-known story of Gertrude Bell, an extraordinary women, sometimes called the “female” Lawrence of Arabia. Bell was a British spy, explorer and political powerhouse who traveled widely in Arabia before being recruited by British military intelligence during WWI to help draw the borders of Iraq. Her strongly independent opinions and skillful negotiations helped shape the modern Middle East. Read what Letters from Baghdad directors Sabine Krayenbühl and Zeva Oelbaum have to say about Gertrude Bell, their compelling documentary and how it came to be.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Alexandra Gaulupeau on LIFE AT A SNAIL’S PACE

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Alexandra Gaulupeau on LIFE AT A SNAIL’S PACE

Filmmaker Alexandra Gaulupeau takes us into the unique world of Marla Coppolino, a malacologist (snail expert), artist and self-proclaimed spokesperson for the largely misunderstood diminutive species of land snails. Through the creation of elaborate miniature scenes and cello scores, Coppolino displays her own mighty appreciation for the tiny, slimy (and surprisingly sexy) creatures! Read what Alexandra Gaulupeau has to say about making her first film, microphotography and mini-budgeting and connecting people to the natural world.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Julia Hechler on LES CLOYS

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Julia Hechler on LES CLOYS

In a particular Parisian neighborhood, residents have devised a means of establishing their own cultural identity and reclaiming their person power through the creation of a slanguage they call Verlan (back to front). American filmmaker Julia Hechler captures their trending tongue on film. Read what she has to say about the importance of language, getting to know your subjects and her next career moves.

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AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan Su Chun on DROKPA

AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan  Su Chun on DROKPA

Filmmaker Yan Chun Su’s gorgeous observational film captures life on the Tibetan Plateau. The last of Tibet’s drokpa (nomads) lead herds of yak and sheep over hilly grasslands. No longer limitless and free- ranging, they move across sections of pasture, now allotted to them by the Chinese government. Read what Yan Chun Su has to say about the changing environment, nomadic life, organic filmmaking and her career.

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Cady McClain on making SEEING IS BELIEVING: WOMEN DIRECT

Cady McClain on making SEEING IS BELIEVING: WOMEN DIRECT

Cady McClain has traveling the globe, speaking to female directors and documenting their stories for her serialized documentary, Seeing is Believing: Women Direct. Not yet complete, the documentary is intended to elucidte the skills and tools needed to succeed as a woman in the directing field . Here, McClain writes about her own filmmaking process, why she’s making this documentary series and what she’s learning from doing so. Read on…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Mette Carla Albrechtsen and Lea Glob on VENUS

AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Mette Carla Albrechtsen and Lea Glob on VENUS

Danish filmmakers Mette Carla Albrechtsen and Lea Glob explore the subject of young women’s sexuality by setting up an open ‘casting call’ at which they interview the film’s subjects about their sexual experiences and attitudes towards sexuality and their bodies as they develop from adolescence to womanhood. Through this compilation of interviews, the filmmakers contemplate their own attitudes towards sex, and offer the opportunity for women who see the film to do as, as well. Read the interview

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EDA Awards @ IDFA 2016 Filmmaker Interview: Coco Schrijber on HOW TO MEET A MERMAID

EDA Awards @ IDFA 2016 Filmmaker Interview: Coco Schrijber on HOW TO MEET A MERMAID

Dutch filmmaker Coco Schrijber’s highly cinematic style and essay-like approach to filmmaking transforms her personal quest for resolution about her brother’s downing suicide into a profound contemplation of life-sustaining and death-dealing aspects of the sea. She evokes the unsolved mystery of Rebecca, a cruise ship employee who disappeared while her ship was at sea and the story of a Mexican surfer who is flying across the ocean to find more challenging waves on other shores to broaden her narrative. Read what Coco Schrijber has to say about the film and filmmaking.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Lucija Stojevic on LA CHANA

AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview:  Lucija Stojevic on LA CHANA

Lucija Stojevic’s La Chana is an up close and personal profile of Antonia Santiago Amador, the hugely popular flamenco dancer. Known as La Chana, Amador was revered by dance afficiandos for her vibrantly passionate spirit and extraordinary footwork. La Chana’s career peaked during the late 1960s, shortly after which she inexplicably vanished from the dance world and her own celebrity. Stojevic delves into Amador’s artistry and complex personality by intertwining spectacular footage of her performances with current footage of her living quietly in Barcelona, entertaining her daughter, coaching talented young dancers and preparing for a comeback recital — and revealing, for the first time, why she stepped out of the spotlight at the height of her career. Read what Lucija Stojevic has to say about her film…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Elvira Diaz on EL PATIO

AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Elvira Diaz on EL PATIO

Elvira Diaz was born in 1975 in France, after her father fled from Chile as a political refugee. El Patio is her third documentary about the consequences of Pinochet’s dictatorship on witnesses and victims’ lives. In the film, she follows aging gravediggers as they reveal, for the first time, their haunting memories of surreptitiously burying ‘disappeared persons’ during the dark days of the Pinochet regime. Read more…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Alice Schmid on THE GIRL DOWN LOCH ANZI

AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Alice Schmid on THE GIRL DOWN LOCH ANZI

Alice Schmid, filmmaker and novelist, tells stories from around the globe, mostly focusing on children. The Girl Down Lock Anzi, nominated for the IDFA 2016 AWFJ EDA Award, is set in rural Switzerland, where 12- year-old Laura is fascinated by and works up the courage to explore a legend about a maiden who is supposedly imprisoned in caves close to her family’s farm. Alice Schmid comments about making the film and filmmaking. Read on…

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Dr. Heidi Janz and Eva Colmers Accept AWFJ EDA Award @ DOXA 2016 — Transcription of Acceptance Speech

Dr. Heidi Janz and Eva Colmers Accept AWFJ EDA Award @ DOXA 2016 — Transcription of Acceptance Speech

At DOXA Documentary Film Festival 2016 awards ceremony, held on May 14, the AWFJ EDA Award for Best Female-Directed Documentary Short was presented to co-directors Dr. Heidi Janz and Eva Colmers for We Regret to Inform You, their very affecting film about Heidi’s arduous battle to get disability support from the Canadian government. The directors were not present to receive the award from AWFJ’s Karen Martin, but the had prepared a very beautiful and affirming acceptance speech on tape. Read the transcript

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In Reality, We Must Demand Equal Representation for Women Documentarians, Too – Victoria Cook comments

In Reality, We Must Demand Equal Representation for Women Documentarians, Too – Victoria Cook comments

Re the Oscars, there is a misperception that the documentary category is more inclusive, less sexist and less racist than the other categories. Recent talk about the underrepresentation of women and people of color as directors in the entertainment industry as a whole (reference the NYT Sunday magazine cover, the Forbes article, the Variety article about the 7% statistic, Jennifer Lawrence speaking out, etc) and specifically about the underrepresentation of women in the major categories at the Oscars but there is no public discourse about this also being a pervasive problem in the documentary category. This must change.

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EDA Awards @ IDFA 2015 Filmmaker Interview: Nicole Nielsen Horanyi on MOTLEY’S LAW

EDA Awards @ IDFA 2015 Filmmaker Interview: Nicole Nielsen Horanyi on MOTLEY’S LAW

Filmmaker Nicole Nielsen Horanyi won the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015 for Motley’s Law, a film about a courageous yet pragmatic woman who refuses to relinquish her mission even under death threats. Kimberly Motley, beauty queen turned litigator, is the sole American practicing in Afghan courts, navigating a corrupt legal system. Horanyi follows Motley from court in Kabul to home in the US, where she’s raising three kids. Motley’s Law is a powerful reminder of what one person can accomplish with courage and tenacity. Read Nicole Nielsen Horanyi’s comments about making the film.

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EDA Awards @ IDFA 2015 Filmmaker Interview: Alisa Kovalenko on ALISA IN WARLAND

EDA Awards @ IDFA 2015 Filmmaker Interview: Alisa Kovalenko on  ALISA IN WARLAND

Alisa in Warland, one of ten films nominated for the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015, is a film in which the director discovered that she was also the lead character. Just out of film school, Alisa Kovalenko and Liubov Durakova set out to document the war in their homeland, embedding themselves with soldiers on the fron in Eastern Ukraine. Read what Alisa Kovalenko has to say about their experiences as first time filmmakers working under truly extraordinary circumstances.

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EDA Awards @ IDFA 2015 Filmmaker Interview: Kari Anne Moe on REBELS

EDA Awards @ IDFA 2015 Filmmaker Interview: Kari Anne Moe on REBELS

Rebels, one of ten films nominated for the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015, is about the problems faced by disenfranchised youths in Norway. Filmmaker Kari Anne Moe takes a tough yet sympathetic look at the struggles of Norwegian dropouts enrolled in a special social welfare program created to help them renter the mainstream. IDFA’s catalog description of the film is copied below. Read what filmmaker Kari Anne Moe has to say about her experience…

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Alliance of Women Film Journalists To Present AWFJ EDA Award @ IDFA 2015 – Jennifer Merin reports

Alliance of Women Film Journalists To Present AWFJ EDA Award @ IDFA 2015 – Jennifer Merin reports

The Alliance of Women Film Journalists will proudly present our juried AWFJ EDA Award @ IDFA 2015 for the Best Female Directed Film. This is the second consecutive year of the organization’s partnership with IDFA to recognize women’s accomplishments in documentary filmmaking. In 2014, the AWFJ EDA Award @ IDFA was presented to Maite Alberdi for Tea Time The AWFJ EDA Award and the Oxfam Global Justice Award are the only two independently-presented awards on the IDFA Awards roster. Read more>>

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Salem Film Fest Honors Female Documentarians

Salem Film Fest Honors Female Documentarians

Salem Film Fest, the docs-only festival that takes place annually in Salem, Massachusetts, has invited the Alliance of Women Film Journalists to present the EDA Award for Best Female-Directed Film at the 2015 festival, scheduled for March 5 to 12. Partnering with AWFJ for the fourth consecutive year, SFF programmers have nominated six outstanding female-directed films for EDA Awards recognition. Read on…

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