WONDER WHEEL — Review by Susan Granger

Woody Allen’s new film returns to the signature giant blue Ferris wheel that looms over Coney Island’s amusement park, recalling his youth, back in the 1950s. Morose, melancholy, migraine headache-plagued Ginny (Kate Winslet), a former actress, works as a waitress at Ruby’s Clam House. Approaching her 40th birthday, she unhappily married to oafish, volatile carousel-operator Humpty (Jim Belushi), whose long-estranged daughter Carolina (Juno Temple) suddenly shows up on their doorstep. Continue reading…

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THE WEEK IN WOMEN: Gerwig’s Top Rating, Streep’s Gender Lament and MULAN Live — Brandy McDonnell reports

Greta Gerwig’s ‘Lady Bird’ becomes best-reviewed film on Rotten Tomatoes. Disney chooses Liu Yifei to be its live-action ‘Mulan,’ to be directed by Niki Caro. Making the rounds for’The Post,’ Meryl Streep laments the lack of gender parity. Read details on THE WEEK IN WOMEN

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AWFJ EDA Awards @ Whistler Film Festival: The Winners – Jennifer Merin reports

whistler logo 2017Whistler Film Festival continues to stand out as an especially female friendly environment for filmmakers, with intensive programs for collegial networking, productive mentorships and the spirit-raising Women on Top Summit. And, AWFJ recognizes the superb women’s programming with presentation of EDA Awards for female-directed films. Continue reading…

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I, TONYA — Review by Susan Granger

Unless you find parental and domestic abuse amusing, the Coming Attractions are deceiving. This is NOT a comedy – in any sense of the word. Craig Gillespie’s glibly fictionalized, bizarre biopic begins with…”Based on irony-free, wildly contradictory, totally true interviews with Tonya Harding and Jeff Gillooly.” Continue readiing…

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THE TRIBES OF PALOS VERDES — Review by Cate Marquis

TRIBES OF PALOS VERDES POSTERTHE TRIBES OF PALOS VERDES is a drama about a family recently transplanted from the down-to-earth Midwest to the gated suburban beach community of Palos Verdes, California. It immerses the family in a kind of culture shock and only dad Phil (Justin Kirk), a cardiac surgery, is enthusiastic about the move. Nonetheless, mom Sandy (Jennifer Garner) and teen-aged fraternal twins Medina (Maika Monroe) and Jim (Cody Fern) are trying to make the best of it. Continue reading…

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Women Filmmakers Rise to the Top at Whistler Film Festival 2017 — Jennifer Merin reports

whistler logo 2017At a time when the call for gender parity is more prevalent than ever, the Whistler Film Festival 2017, taking placed from November 29 to December 3, will screen 14 feature films and 16 short films directed by women, which makes up 30% of this year’s film programming, the highest percentage for the festival to date. Continue reading…

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THELMA – Review by Martha K. Baker

Psychiatrists will be thrilled with “Thelma,” even shrinks with 5¢ scrawled over their comic strip shingles. “Thelma” reveals itself as if in therapy sessions. Some of those meetings between client and doctor concern the past; some, the present, but all concern the person lying hopefully, sexually on that chaise. Continue reading

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LADY BIRD — Review by Susan Granger

Actress/screenwriter Greta Gerwig makes an auspicious directorial debut with this perceptive coming-of-age dramedy, chronicling the tempestuous bond between a teenager and her mother. Continue reading…

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COCO – Review by Martha k. Baker

​So what does your trusty film critic know? As I sat in the theater waiting for “Coco” to start, I observed the children around me. They were chattering, whining, mewling, and reporting. They were eating loudly, running rompingly, demanding attention. “What,” I thought uncharitably, “are they doing here? What will they understand of ‘Coco’?” Continue reading

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IDFA 2017: The Female Gaze is Gone — Jennifer Merin reports

idfa 2017 ;ogoInternational Documentary Film Festival Amsterdam, otherwise known as IDFA, has accomplished during the decades since it was co-founded by Ally Derks, who is rightly revered in the documentary film realm. But Ally Derks has moved on, and IDFA is changing its outlook. This year, the festival dropped its The Female Gaze program and is, apparently, no longer focusing on ongoing issues of gender parity faced by the international community of women filmmakers. Continue reading on CINEMA CITIZEN

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