LOGAN — Review by Susan Granger

As the “X-Men” saga continues, Logan (Hugh Jackman) – a.k.a. Wolverine – is caring for cranky, critically ill Professor Charles Xavier (Patrick Stewart), along with the albino Caliban (Stephen Merchant), in a hideout along the Mexican border. It’s 2029, when mutants are almost extinct. Weary Logan earns his living as a chauffeur, driving his own limousine, and drinking far too much. But he’s still the feral mutant with massive claws and a trigger-sharp temper. Read on…

read more

A UNITED KINGDOM — Review by Susan Granger

In London in 1947, the future King of Botswana, Prince Seretse Khama (David Oyelowo), who was studying law at Oxford, met a beautiful Englishwoman, Ruth Williams (Rosamund Pike), at a Mission Society dance and, soon after, they impulsively married. That’s just the beginning of this intriguing true story. Original opposition to their union came not only from Ruth’s racist father (Nicholas Lyndhurst) but also from the British government. Britain’s South Africa regime had recently introduced the policy of apartheid, so a biracial couple ruling a neighboring country seemed out of the question. Read on…

read more

MOVIE OF THE WEEK March 10 – 17, 2017: THIS BEAUTIFUL FANTASTIC

motw logo 1-35Nobody does twee quite like the English, especially when it comes to stories about innocent romance, cantankerous old men who turn out to have hearts of gold, and neglected gardens begging to be restored to blooming beauty. This Beautiful Fantastic covers all of that ground and then some as it introduces viewers to Bella Brown (Jessica Brown Findlay, aka Downton Abbey’s beloved Lady Sybil), a librarian/aspiring children’s author who suffers from a variety of afflictions — a bit of OCD here, a little nature phobia there — that are all portrayed, in typical cinematic fashion, as charming quirks rather than potentially debilitating conditions.
Read on…

read more

Oscars 2017: A Compendium of AWFJ Members’ Views — Jennifer Merin reports

oscar trophyOur goal is to present a compendium of AWFJ members’ perspectives on Oscars 2017. Not surprisingly, the views vary widely from utter enthusiasm to complete dismay, with mix of meh in between. Quite a few of our members opted out of the project, claiming awards burn out, indicating frustrations with the Academy’s new press procedures and/or stating that this year’s entire awards campaign and media buildup was either too political or not political enough. Read what Jeanne Wolf, Susan Wloszczyna, Moira Sullivan, Diana Saenger, Sheila Roberts, Nell Minow, Brandy McDonnell, Michelle McCue, Karen Martin, Kimberly Lindbergs, Leba Hertz, Candice Frederick, Marilyn Ferdinand, Chaz Ebert, Katherine Brodsky, Liz Braun, Betsy Bozdech and Erica Abeel have to say about Oscar 2017 on AWARDS INTELLIGENCER…

read more

Oscars 2017: The Academy Makes History — Chaz Ebert comments (Exclusive)

oscar logoThe Oscars continue to be on my “must see” list and this year’s 89th edition was not only immensely enjoyable, but historic for many reasons. It was the first time in history that an African-American director won for Best Picture; it was the first win for Supporting Actor for a Muslim; it was the first win for a picture about someone in the LGBTQ community, and the first Best Foreign Film win for someone who was not there in protest of a travel ban instituted by the President of the United States. Sometimes it is difficult to remember from year to year who won Best Picture, but the “Moonlight” – “La La Land” flub will forever be in our collective memories. Read more on AWARDS INTELLIGENCER

read more

Oscars 2017: We Have a New Hollywood Hero — Jeanne Wolf comments (Exclusive)

oscar logoWhile the people in the audience were gasping with surprise, Jordan Horowitz — as if to assure them this wasn’t fake news — held up the card just pulled from the correct award envelope. “I’m going to be really thrilled to hand this to my friends from ‘Moonlight,’ ” he said. Horowitz wasn’t just a gracious loser; he became the closest thing the Oscars can get to a folk hero.” Read more>>

read more

Oscars 2017: Opportunity for More Creativity on Stage — Katherine Brodsky comments (Exclusive)

oscar logoThis year had several worthy nominees and they were well-recognized. Although as a whimsical musical fan, I was rooting for “La La Land” as Best Picture, having finally caught up on “Moonlight” a few nights prior, I recognized what a great film it was as well. But here’s a sad fact: This year’s Oscar ceremony will be remembered most for the hiccup at the end rather than anything in between. Every year, I tune in to the Oscars telecast hoping for a great show, thinking that this year will be the one. Read more on AWARDS INTELLIGENCER

read more

Oscars 2017: Poise Under Pressure — Sheila Roberts comments (Exclusive)

oscar logoEtched indelibly in my mind about the Oscars this year is how graciously the presenters and the filmmakers from “La La Land” and “Moonlight” handled the confusion that ensued on stage after the wrong Best Picture was announced. Noteworthy was the leadership of “La La Land” producer Jordan Horowitz who took charge and stepped in to clarify what had gone wrong, even when it meant acknowledging his own loss. It was done with a lot of class, dignity, and poise under pressure. Read more on AWARDS INTELLIGENCER

read more

Oscars 2017: Victories for ‘Moonlight,’ ‘La La Land’ and Viola Davis — Brandy McDonnell reports (Exclusive)

oscar logoIn a twist ending that only Hollywood could dream up, “Moonlight” won best picture Sunday night after a mixed-up finish at the 89th Academy Awards. Viola Davis became the first black woman to win an Emmy, a Tony and an Oscar for acting. Read more on THE WEEK IN WOMEN

read more

THE SALESMAN — Review by Susan Granger

Iran’s Oscar-winner for Best Foreign Language Film is another marital drama from Oscar-winner Asghar Farhadi (“The Separation”). When Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti) Etesamis are forced to evacuate their crumbling Tehran apartment, they move into a more dilapidated abode, one that was previously occupied by a single woman with a young child. The clutter she left behind when she was evicted gives subtle clues as to who she is and the promiscuous life she led. She’s described as “a woman with lots of acquaintances…who lived a wild life.” Read on…

read more