Producers Guild Nominations Include WONDER WOMAN, MOLLY’S GAME and I, TONYA — Michelle Hannett reports

pga logo darkEight women producers are among the Theatrical Motion Picture nominees for the 29th Annual Producers Guild Awards. The January 5 announcement also saw four women nominated in the Animated category. Starring strong female protagonists, nominations for WONDER WOMAN, MOLLY’S GAME and I, TONYA were undoubtedly the big surprises of the day. Continue reading on AWARDS INTELLIGENCER.

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THE POST — Review by Cate Marquis

Steven Spielberg delivers a remarkable and timely film about freedom of the press, a story set in 1971 that has striking echoes for the present. President Nixon, who disdains the press, seeks to prevent publication of embarrassing secret government documents that expose decades of deceit of the American people on the Vietnam War. Continue reading…

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Aaron Sorkin chats MOLLY’S GAME and First Time Directing — Interview by Jessica Zack

Aaron Sorkin knows that anytime a writer or actor decides to step behind the camera for the first time, the first question is usually whether directing has always been his or her dream. So the Academy Award-winning screenwriter (“The Social Network”) and playwright (“A Few Good Men”) sat down for a recent interview with a preemptive response at the ready. Continue reading…

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ALL THE MONEY IN THE WORLD — Review by Susan Granger

Perhaps even more fascinating than this fact-based kidnap drama is how 80 year-old director Ridley Scott replaced scandal-riddled Kevin Spacey with 88 year-old Christopher Plummer as billionaire J. Paul Getty. After re-filming 22 scenes, Scott seamlessly edited old reaction shots with the new footage. Continue reading…

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MOVIE OF THE WEEK January 5, 2018 : MOLLY’S GAME

motw logo 1-35In “Molly’s Game,” writer/director Aaron Sorkin introduces us to Molly Bloom (Jessica Chastain), a complicated woman who’s all the more fascinating because she’s real. Smart, resourceful, competitive, driven — Molly succeeds at whatever she puts her mind to. At first, that’s skiing; pushed hard by her demanding father, Larry (Kevin Costner), she becomes an Olympic-level champion who seems destined for gold…until a random accident ends her skiing career for good. continue reading….

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ALL THE MONEY IN THE WORLD — Review by Martha K. Baker

“All the Money in the World” succeeds fiercely. John Paul Getty was a Scrooge. He figured out not only how to dredge oil from the Arabian desert but also how to haul it across the oceans in a tanker. Thus, he was not just the richest man in the world but the richest man in the history of the world. Continue reading…

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HOSTILES — Review by Susan Granger

Paying homage to classic Westerns like John Ford’s “The Searchers,” writer/director Scott Cooper has created a different kind of frontier saga, one which examines the complexity of the Native American conflict and connects with relevant, contemporary themes, including reconciliation, inclusion and equality. Continue reading…

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MOLLY’S GAME — Review by Cynthia Fuchs

mollys game poster“This woman does not belong in a RICO indictment. She belongs on a box of Wheaties.” Attorney Charlie Jaffey (Idris Elba) gives a rousing speech near the end of Molly’s Game, one where he defends his client, Molly (Jessica Chastain), against a pair of government prosecutors. They want her to give up information on the men who played in her high stakes poker games. Charlie, it turns out, is borrowing his defense from his daughter Stella (Whitney Peak), who sees in Molly a role model and a hero. Continue reading…

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Eleanor Coppola on PARIS CAN WAIT and Doing Things Her Way –Interview by Jessica Zack

Eleanor Coppola admits she had some fun playing with the line between autobiography and fiction while writing the screenplay for “Paris Can Wait,” her new romantic road-trip movie which is also — remarkably, at age 81 — her narrative feature directorial debut.Continue reading…

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Filmmaker Margaret Betts on NOVITIATE — Interview by Kristen Page-Kirby

Novitiate” is a love story about a girl in a relationship with a guy who just doesn’t seem to be paying much attention to her. It’s a fairly typical tale, except the girl is a 17-year-old nun in training and the guy is God. In the drama, opening Friday, Cathleen (played by Margaret Qualley) enters the (fictional) convent of the Sisters of Blessed Rose in 1964. She begins her journey toward becoming a nun with a one-year stint as a postulant, getting used to the daily routine of the convent. That’s followed by two years as a novitiate, when she is expected to make herself worthy of the habit. Overseeing her journey is the Reverend Mother (Oscar winner Melissa Leo), who rules her convent with a terrifying power — a power she feels is threatened by the ongoing Second Vatican Council, which is making substantial changes regarding the role of nuns in the Roman Catholic Church. Continue reading…

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