AWFJ.org now offers a newsfeed!

For those who live in the newsreader realm, AWFJ has created an RSS feed. Please click the link (lower right) to subscribe to receive the latest from AWFJ, including news about women making films, films about women, member commentaries and initiatives.

read more

MOVIE OF THE WEEK February 9: THAT’S NOT ME

motw logo 1-35Alice Foulcher does triple duty in “That’s Not Me,” starring as both aspiring Australian actress Polly and her identical twin sister, Amy (also an actress), as well as co-writing with director Gregory Erdstein. The result is an appealing exploration of ambition, identity, and the whims of showbiz. The movie’s focus is mainly on Polly, who’s wanted to be an actress her whole life and dreams of getting her big break, even while she’s working a day job at a local cinema. Continue reading…

read more

THAT’S NOT ME — Review by Cynthia Fuchs

“They wanted Amy and they got the other one. That’s what they actually called you in the feedback.” Poor Polly (Alice Foulcher). An aspiring actor who works part-time selling tickets at a cinema in Melbourne, she’s reminded daily that her identical twin Amy (also Alice Foulcher) has exactly the career she wants, including a role on an HBO series opposite Jared Leto. Worse, as her agent Trish (Janine Watson) tells her, Polly is “confusing people” because they keep mistaking her for her sister. Continue reading…

read more

Filmmaker Alice Foulcher on Collaboration, Multitasking, Fame and THAT’S NOT ME — Interview by Alexandra Heller-Nicholas (Exclusive)

alice foulcher white shirtThat’s Not Me, the Australian independent comedy that premiered at the Santa Barbara International Film Festival, and won audiences awards at both the Sydney Film Festival and Melbourne International Film Festival, was made with an extraordinarily low budget of $45,000 by filmmakers Gregory Erdstein and Alice Foulcher. Receiving rave reviews from The Guardian and Time Out, the self-funded comedy seems to exemplify a trend in Australian cinema, where creatives are finding alternate ways of making movies outside the orthodox framework of notoriously genre-shy formal, institutionalized funding bodies. The local and international acclaim for Foulcher and Erdstein’s breakout film promises the creative couple a bright future, and Foulcher here takes time to discuss the background of That’s Not Me, her feelings about the film industry in Australia, collaboration, fame and future work. Continue reading…

read more

SPOTLIGHT December, 2017: Angelina Jolie, Humanitarian Filmmaker

awfjspotlightsmallsmall
angelina with handWith award season already in full thrust, SPOTLIGHT asks: Has there ever been an A-list actress who has – in the prime of her career – choosen to promote not herself, but two films that tell stories about third world countries?

The actress doesn’t even play a role in either film, but opts instead to produce The Breadwinner, an animated story about a young Afghan girl who dresses as a boy in order to feed her family in Taliban-controlled Afghanistan, and to direct First They Killed My Father, an unflinching child’s view on the Khmer Rouge’s deadly rule in Cambodia.Continue reading…

read more

JUSTICE LEAGUE — Review by Susan Granger

When William Shakespeare wrote, “It is a tale, told by an idiot, full of sound and fury signifying nothing,” he could have been summarizing “Justice League.” Or, let’s put it this way: How is it that when you’re given everything, you come away with nothing?” Continue reading…

read more

THE BREADWINNER — Review by Cynthia Fuchs

breadwinner poster“Stay inside where you belong.” Again and again in The Breadwinner, 11-year-old Parvana (Saara Chaudry) is reminded of her place. A girl in 2001 Kabul, she’s surrounded by war and threatened by the Taliban. She’s not supposed to read, think for herself, or go outside without a man, she’s not supposed to show her face and she’s certainly not supposed to work a job. A the same time, however, her father Nurullah (Ali Badshah), a teacher, encourages her to explore the world around her, to feel confident and to tell and listen to stories, because, he says, “Stories remain in our hearts even when all else is gone.” Continue reading…

read more

KEDI — Review by Maitland McDonagh

kedi psterIn much of the world, stray and feral felines are considered nuisances at best and outright pests at worst. But not in Istanbul, argues Turkish-born, US-based filmmaker Ceyda Torun, whose Kedi (odd how much the word sounds like “kitty”) documents the lives of street cats whose beat—one that spans millennia–is the city’s busting waterfront district, where shopkeepers and residents alike have settled into a symbiotic relationship with the sweet-faced little predators who help keep the rodent population down while happily accepting handouts. And Torun’s roving camera, often set at cat’s-eye level, gives their lives a dynamic energy that’s as enthralling as any footage of marquee-hogging elephants or lions: The woman who suggests that they’re “like aliens” isn’t entirely wrong—those pretty little eyes aren’t filled with worshipful warmth. Continue reading…

read more

SPOTLIGHT September 2017: MaryAnn Johanson, FlickFilosopher.com Film Critic and Activist

awfjspotlightsmallsmallOLYMPUS DIGITAL CAMERAPioneering film critic MaryAnn Johanson celebrates the twentieth anniversary of her popular FilckFilosopher.com website this month; an impressive enough feat in itself. That MaryAnn has established herself as a distinct, influential and prolific feminist critic in a fiercely competitive and male-dominated industry, however, is testament not just to her boundless knowledge of and passion for film, but also of her extraordinary tenacity and determination. Continue reading…

read more

MENASHE — Review by Martha K. Baker

“All beginnings are hard,” it is written in the Tal-mud. And Menashe is finding life hard since he lost his wife Leah a year ago. His son Rieven has gone to, or been sent to, his mother’s brother’s house to live. Menashe, a hapless, portly Jew, wants his son back. The rabbi of his tightly constrained Hasidic com-munity, shown in tight camera shots, grants Menashe a week to earn his son back. It’s the week before Leah’s memorial, which her brother thinks should be held at his house, not in Menashe’s crowded flat. In that week, Menashe does everything wrong. Continue reading…

read more

THE GLASS CASTLE — Review by Martha K. Baker

To read of family dysfunction, an alcoholic father slapping his child, an artsy mom not feeding her bairn is one thing. To see it on the screen is so painful as to be avoided. That is the case with “The Glass Castle,” based on the 2005 memoir by Jeannette Walls. Continue reading…

read more

DETROIT — Review by Cynthia Fuchs

detroit posterDetroit‘s focus on the 11 hours at the Algiers doesn’t expose racism as deviance as much as it displays its patterns. Like the other two movies in Kathryn Bigelow and Mark Boal’s war film trilogy, Detroit lurches occasionally, from journalism to sensationalism, from personal experiences to cultural critique. Less invested in any particular character than The Hurt Locker or Zero Dark Thirty, the new film poses a compelling challenge to that framework as a way to interrogate systems. Its focus on racism, the driving force of this war (as it is of most wars) presents it as a pathology and a system, alive in a past that is hardly over. Continue reading…

read more

In The Muck of It: The Films of Ann Turner — Profile by Alexandra Heller Nicholas

Ann Turner - Photo by Kristian Gehradte

Ann Turner – Photo by Kristian Gehradte

I’m sitting in a small private booth at the Australian Mediatheque at Melbourne’s Australian Centre for the Moving Image, waiting while an old 16mm film is being set up on a vintage Steenbeck for viewing. It feels like the end of a pilgrimage, the last of Australian author, screenwriter and director Ann Turner’s films I left have to see: this is her 1981 student short, Flesh on Glass, made during her time at the Swinburne Film School (soon to become the Victorian College of the Arts). Continue reading…

read more

Ana Lily and Sofia and the Diversity Issue — Jennifer Merin comments

Ana Lily Amirpour and Sofia Coppola are female directors whose unique perspectives in filmmaking have attached the term auteur to their names and bodies of work. Yet, both directors are being tagged as ‘racist’ in criticism of their current productions. Continue reading…

read more

THE ZOOKEEPER’S WIFE – Review by Susan Granger

As years go by, more and more poignant survival stories that have been buried in Holocaust history are surfacing. This one begins on a beautiful day in 1939 at Poland’s Warsaw Zoo, where Antonia Zabinska (Jessica Chastain) is helping her husband Jan (Belgian actor Johan Heldenberg) tend the animals. That afternoon, she resuscitates a newborn elephant calf who cannot breathe – with its distraught mother’s at her side. But then German aircraft appear overhead, and bombs reign down, killing many of the terrified beasts, while others escape to roam the city’s streets. Read on…

read more

THE ZOOKEEPER’S WIFE — Review by Martha K. Baker

zookeepers wife poster In case you think there are already too many films about the Holocaust, consider this: the managers of the Anne Frank House in Amsterdam have to add more history of the Holocaust so that the people who stood in line for two hours know what they’re looking at.
“The Zookeeper’s Wife” presents one of those personal stories within the context of history. The film, while not as smashing a piece of art as “Schindler’s List,” holds up nobly in the sub-genre that is the Holocaust film.
It opens in Poland in 1939 as the National Socialist German Workers’ Party storms in. The Zabinskis, who run the Warsaw Zoo, are caught in the blitz, but they soon figure out a way to bedevil the enemy. Jan and Antonina have Jewish friends. They are not going to let them suffer, so they offer them succor, albeit hunkering under garbage. Read on...

read more

LIFE — Review by Susan Granger

Several years ago, renowned British scientist Stephen Hawking cautioned that contact with alien life could spell disaster for the human race: “If aliens ever visit us, I think the outcome would be much as when Christopher Columbus first landed in America, which didn’t turn out very well for the American Indians.” But Hawking’s grim warning has not deterred cosmic exploration. Read on…

read more

KEDI — Review by Martha K. Baker

If all you know of cats is what you see on Facebook, you will be amazed by “Kedi.” If what you know about cats comes from your resident feline, you will be soothed and assured by “Kedi.” This documentary explores the world of cats in Istanbul, where they reign and roam. ‘Kedi’ offers feline philosophy in Istanbul Read on…

read more

AWFJ Movie of the Week, November 21 – November 25: Miss Sloane

Film Title: Miss. SloaneIf you have the stomach for corruption in the political arena, then director John Madden’s new drama Miss Sloane might be just the ticket. If you have had your fill of politicking, bad behaviour and ruthlessness in the real world, watching even more on movie screens might seem a little like an extended torture session. Read on…

read more

Kathriyn Bostic and Miriam Cutler Talk About the Alliance of Women Film Composers — Liz Whittemore Interviews

AWFC_logo_B_on_W_400x85I had the wonderful opportunity to interview two board members of the Alliance of Women Film Composers (AWFC), a group I consider to be sister to AWFJ. AWFC’s mission statement is as follows:

Through advocacy, support and education, the Alliance for Women Film Composers aims to increase the visibility of women composers active in media scoring. The AFWC advocates for the inclusion of women composers within industry events; supports filmmakers, game developers and studios in their inclusion of women composers; and educates, mentors and inspires emerging women composers.
I spoke with Kathryn Bostic and Miriam Cutler about the challenges and advantages of this unique group of women in the industry. Read more…
read more

THE SHALLOWS — Review by Susan Granger

Still grieving over the death of her mother, Nancy (Blake Lively) is a medical school drop-out who decides to pay an homage visit and surf on her mother’s favorite Mexican beach: a remote, jungle-enshrouded crescent-shaped cove that’s almost totally deserted. After making a few phone calls to check-in with her dad and younger sister in Galveston, Texas, Nancy zips on the top of her wetsuit, tethers her foot to her surfboard and wades into the waves. Read on…

read more

Christy Beam Talks About MIRACLES FROM HEAVEN and Being the Subject of a Movie — Diana Saenger Interviews

Christy Beam.   Photo by Sunny Mays Photography

Christy Beam. Photo by Sunny Mays Photography

Miracles From Heaven, adapted by Randy Brown from the book by Christy Wilson Beam, became a movie with a surprising true story that has enthralled moviegoers all over the world. Domestic Total as of May,1, 2016 was $59,657,409. How does one explain the impossible was a question Beam faced when she decided to write her family story regarding their journey through faith, fear and pain of their daughter Annabel’s chronic illness? Beam set aside time to be interviewed about this experience. Read on…

read more

EYE IN THE SKY — Review by Susan Granger

Starring Helen Mirren and the late Alan Rickman, this timely British thriller about drone warfare turns out to be a real nail-biter. It begins in a Cabinet office in London, where Lt. Gen. Frank Benson (Rickman) and several officials realize they’ve ascertained the exact location in Nairobi, Kenya, where several people on their Most Wanted list have convened, including a radicalized British woman with an Al-Shabaab militant. Read on…

read more

SPOTLIGHT January 2016: Jennifer Phang, Filmmaker, Advantageous

awfjspotlightsmallsmall

phang 1 cropped

It has been a whirlwind year for filmmaker Jennifer Phang, since Advantageous made its world premiere at the 2015 Sundance Film Festival. where she and Jacqueline Kim, Phang’s co-screenwriter as well as star, were awarded a special jury prize for collaborative vision. The film has found a home with Netflix and has been nominated for the John Cassavetes Award, the Independent Spirit Award prize for the best film with a budget of under $500,000. Read on…

read more

SHAUN THE SHEEP – Review by Susan Granger

After making his debut 20 years ago in Nick Park’s Oscar-winning “Wallace and Gromit” outing “A Close Shave,” Shaun the Sheep has become a British TV favorite. Now, he has his own full-length feature film. For a rebellious ram, like Shaun (vocalized by Justin Fletcher), life at Mossy Bottom Farm can get a bit tiresome. Every day, the Farmer (vocalized by John Sparkes) and his loyal sheepdog Blitzer (also Sparkes) take Shaun and the rest of the flock to graze in the fields. Read more>>

read more