FEATURED:    ICONIC FICTIONAL FEMALES

blogs at Ferdy on Films and reviews for Cine-File. She is a member of AWFJ’s Team #MOTW and curates AWFJ’s Women in Film lists

  Female Film Critics 24/365  recent blog posts

MOVIE OF THE WEEK December 14, 2018: DUMPLIN’

motw logo 1-30Set to a peppy, empowering soundtrack of Dolly Parton hits, director Anne Fletcher’s Dumplin’ is an appealing coming-of-age dramedy about a plus-sized teen who confronts stereotypes — and her own rocky relationship with her beauty queen mother — head-on by entering a small-town Texas pageant. Willowdean “Will” Dickson (Danielle Macdonald) loves her mom, Rosie (Jennifer Aniston), but they couldn’t be more different.

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WEEK IN WOMEN: Golden Globes 2019 Snub Female Directors – Brandy McDonnell reports

Once again, the Hollywood Foreign Press Association has shut out female directors. No female helmers are nominated for best director for the 2019 Golden Globes. 2018 Golden Globes presenter Natalie Portman pointedly criticized the lack of female nominees during the televised show earlier this year, going off script to emphasize “And here are all the MALE nominees.”

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AWFJ EDA Awards @ Whistler Film Festival 2018: The Winners – Jennifer Merin reports

For the sixth consecutive year, the Alliance of Women Film Journalists has had the honor to present AWFJ EDA Awards at Whistler Film Festival, recognizing the significant work of women directors whose films are screening at the festival. This year, AWFJ presented EDA Awards for Best Female-Directed Feature Film and for Best Female-Directed Short at the WFF awards ceremony on December 2, 2018. And, the winners are….

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Whistler Film Festival Wraps Another Successful Year – Marina Antunes reports

Whistler Film Festival wrapped another successful year and 2018, their 18th installment, proved to be as successful as previous years. WFF has long been a hub for female creatives and 2018 was no different. In addition to the films in this years’ EDA Awards competitions, and films featuring strong female leads, the festival was once again host to Variety’s 10 Screenwriters to Watch series which included no less than five female screenwriters.

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BETWEEN WORLDS – Review by Alexandra Heller-Nicholas

With critics and audiences barely able to catch their breath after Mandy – the intoxicating delight that was Panos Cosmatos’s spectacular exercise in woman-centred world-building – Maria Pulera’s Between Worlds has shown that when it comes to the oft-cited Nicolas Cage renaissance, the actor has only just begun.

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COLD WAR – Review by Martha K. Baker

Cold War is blurbed as a romance, but the title refers as much to the plot as to the political and temporal setting of Pawel Pawlikovski‘s haunting film. It begins in 1949, two years after a communist government came to power in the Polish People’s Republic. Ethnomusicologists are roaming the land, auditioning for people’s choruses to celebrate Poland.

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WEEK IN WOMEN: NBC’s First Alternative Director’s Program: All Women – Brandy McDonnell reports

NBC has announced the inaugural class for its landmark Alternative Directors Program, billed as the industry’s first directing pipeline program for unscripted shows. All participants are women! The program gives experienced female and ethnically diverse directors access to expand their repertoire of formats and directing styles, with the goal of opening the door to future projects

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MOWGLI – Review by Diane Carson

Mowgli reinterprets The Jungle Book for today’s world. Since 1942, there have been numerous film and television adaptations of Rudyard Kipling’s beloved 1894 magazine stories collected as The Jungle Book, including translation into over thirty-six languages. It’s no wonder since the array of imaginative, appealing and frightening animals offers a rich metaphor for human behavior, with man-cub Mowgli our surrogate in this lawful but unforgiving world.

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