NO TIME TO DIE – Review by Liz Braun

No Time To Die is more of an event than a movie, but that’s the territory with James Bond. Fans waited 18 months to see the film and everyone knows it’s Daniel Craig’s last time at bat as the famed British spy, so the film came freighted with massive expectations. Luckily, it’s hugely entertaining — with explosive action, wild car chases, fascinating spy gadgets, beautiful women, evil villains, somewhat incomprehensible plotting and many narrow escapes — but this time out with a whole new level of emotional engagement. Writing about women and film is what we do around here, so it’s important to note that Phoebe Waller-Bridge (Fleabag) reshaped the story with the blessing of all concerned, including Daniel Craig, who described her as a “fucking great writer” to the Financial Times.

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NO TIME TO DIE – Review by Pam Grady

Daniel Craig’s tenure as James Bond that began 15 years ago with the elegant Casino Royale, ushering in a tough, charismatic 007 ends five films later on more of a whimper than a bang. Entertaining, if overlong, a weak villain and a third act that could have used a rewrite that put some thought into where you might go when you’ve written yourself into a corner betrays Craig’s swan song. He deserves better than this; so, does Bond.

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NO TIME TO DIE – Review by Susan Granger

For Daniel Craig’s final performance as James Bond, he still has his license to kill, Aston Martin DB5 and enough weaponry to subdue countless henchmen. This 25th installment begins with a Norwegian backwoods flashback as a helpless, young girl witnesses a mysterious, masked killer stalking her and her mother, determined to wreak revenge for what her father did to his family.

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NO TIME TO DIE – Review by Diane Carson

No Time to Die is the twenty-fifth installment of the James Bond franchise and Daniel Craig’s final appearance as 007. It’s a worthy, though not overly spectacular, exit of the famous character, delivering what every Bond film must have, that is, reckless car and motorcycle chases, gravity-defying stunts, gorgeous locations, plus futuristic technology and gadgets: watches, autos, and planes.

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WEEK IN WOMEN: Nantucket Film Fest honors Nicole Holofcener with Screenwriters Tribute Award – Brandy McDonnell reports

An award-winning filmmaker whose work spans three decades, Nicole Holofcener will receive the Screenwriters Tribute Award at the writer-centric Nantucket Film Festival this summer. Acclaimed by critics and audiences for her relatable writing and personal directing style, Holofcener has created seminal films about relationships, class, loyalty and love with realistic and multidimensional characters, including Friends with Money, Please Give and Enough Said, with the latter starring Julia Louis-Dreyfus and James Gandolfini.

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JOAN BAEZ I AM A NOISE (SXSW2023) – Review by Diane Carson

Assured by Joan Baez that she committed to taking an unflinching look at her life, the good and the bad, directors Karen O’Connor and Miri Navasky began work on the documentary Joan Baez I Am a Noise. What they then discovered astonished them and Baez: a storage room holding home movies, photos, diaries, artwork, letters, and audio recordings. Wanting to leave an honest legacy, Baez gave O’Connor and Navasky permission to tear into the hundreds of hours chronicling Baez’s unexplored, previously hidden life. Complementing judicious selections from all that, backstage and on stage footage juxtaposes Baez, in her 70s, performing on her magnificent farewell tour.

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WHO I AM NOT (SXSW2023) – Review by Leslie Combemale

Tünde Skovrán’s debut documentary, considers the experience of two intersex individuals living in South Africa. To be intersex is to have been born with a variety of differences in sex traits and reproductive anatomy. As explained by the Human Rights Campaign, it can include “differences in genitalia, chromosomes, gonads, internal sex organs, hormone production, and/or secondary sex traits.” It may sound like that would amount to a very small percentage of the population, but actually we’re talking about over 150 million people worldwide. The problem, as you might imagine, is very few people really understand the experience of being intersex, or for that matter, what it even entails. That adds to the potential for bigotry, as well as judgment and rejection by family and friends, and feelings of alienation, confusion, and self-hatred for intersex folks themselves.

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PAY OR DIE (SXSW2023) – Review by Leslie Combemale

The price of prescription drugs has been in the news a lot in the last few years. What was once affordable for anyone is now so expensive that people are dying because they can’t afford life-saving medication. One example of that is at the center of Pay or Die, a documentary that focuses on Type 1 Diabetes, and the increased cost of insulin, which has led to the deaths of too many T1D patients. Three families dealing with these high costs or the tragedy caused by them, are followed as they try to navigate or work to change a system that leaves the poor behind in one of the richest countries in the world.

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ANOTHER BODY (SXSW2023) – Review by Liz Whittemore

Sophie Compton and Reuben Hamlyn’s documentary film Another Body tells the story of one woman’s nightmare when she discovers that her face has been deepfaked onto pornographic videos on the internet. Becoming a DIY detective is her only hope to solve the mystery in a very different kind of whodunit.

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