SHIVA BABY (TIFF20) – Review by Alexandra Heller-Nicholas

in Shiva Baby, Seligman paints a distinctly contemporary portrait of a young woman whose carefully constructed false identity is about to come crashing down, forcing both herself, her peers and we, the audience, to address the damage the social fetishization of professional success can do to young people who just need time to figure things out on their own.

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Women’s Filmmaking Highlights at TIFF 2020 – Alexandra Heller-Nicholas reports

Big screen or small screen, on-site or watching streaming from home, while many elements of TIFF 2020 will be a new experience, the seemingly conscious emphasis on women’s filmmaking from around the world thankfully remains intact. Unlike a number of other high-profile festivals that have yet to adequately read the room, TIFF again avoids the mistake of assuming women in front of the camera will make up for not programming films where they prominently feature behind it in key creative roles.

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Women at Melbourne International Film Festival – Alexandra Heller-Nicholas reports

As the film festival world increasingly shifts to the domestic small screen as the most responsible way forward in the face of COVID-19, Melbourne International Film Festival has tackled the challenge head on. While still featuring an impressive 112 films – including 12 world premieres, 83 Australian premieres and 44 short films – MIFF has shifted its exhibition model by releasing the 2020 program not as the festival’s 69th edition, but under the more humble banner of MIFF 68½.

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