TURBULENCE – Review by Sarah Ward
A rewarding pool of insights beckons via a window into its maker’s soul and a mirror held outwards. To filmmaker Anne Aghion’s success, sitting down to Turbulence does indeed mimic standing in her shoes or slipping inside her heart and mind, experiencing her sorrows and struggles, then gleaning her realisations and relishing her wins. Fashioning the film as a collage of so many different audio and visual materials helps. In splicing the movie together, editor Nadia Ben Rachid gives it the rhythm and flow of memories ebbing and flowing in and out, another key touch.
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