Meet the Hoovers, a dysfunctional family of quirky individuals who have bad traits ranging from overzealous optimism to heroin addiction– but who remain, through a series of ordeals that would stress out saints– endearing, engaging and utterly entertaining.
In “Little Miss Sunshine,” the entire family pile into a beat up old Volskvagen van and go on a roadtrip from their home in New Mexico to coastal California, where nine-year-old Olive Hoover (Abigail Breslin) is going to enter a beauty pageant (by default, that is, because another contestant dropped out). From the moment Olive finds out shes in, and runs through the Hoover house screaming with delight, until the moment she, wearing a top hat and breakaway tuxedo, waltzes on to the stage populated by the bizarre little Barbies of the pageant contestant set, the plot is a delightfully twisted version of a road movie– romp of mishaps and diversions that give you the great escape of laughter. Along the way, for example, the Hoovers good old VW bus takes a turn for the worse (mechanically, that is) and theres a running gag in which the family members have to push the van to get it started, then run (literally) after it and jump into it. Clever choreography and timing make this gag on the roll absolutely hilarious.
Best about the film, tho, are the characters: Olive’s dad (Greg Kinnear) is a motivational speaker whos pushing his book, “Refuse to Lose,” so he can carry his weight in supporting the family. Grandpa (Alan Arkin), who choreographed her dance routine, is an aged hippy whowas kicik out of an old age home because of his drug habit. Her brother (Paul Dano) has taken a vow of silence until he enters the Air Force Academy and speaks only through hand gestures, facial expressions and, occasionally writes his thoughts in a notebook. Olive’s mother (Toni Collette) is just trying to keep it together– and look after her brother (Steve Carell) a gay Proust scholar whos recently attempted suicide. They might not sound funny– but they are, especially because the actors play them so seriously. Great performances all around.
The DVD features commentary by co-directors Jonathan Dayton and Valarie Faris, with lots of insider insights about independent filmmaking. A second commentary has the directors speaking with screenwriter Michael Arndt, who talks a lot about the interesting character development. There are also four alternate endings on the disc. Fullscreen and widescreen versions on opposite sides of the disc, The fullscreen side has the Till the End of Time music video (performed by Devotchka), a soundtrack spot, and three other Fox trailers (Sideways, Garden State, and the Illusionist, but no Little Miss Sunshine).