“Strike,” review by Maitland McDonagh
German filmmaker Volker Schlondorff’s drama about the roots of the Polish revolution against communism borrows its title from Sergei Eisenstein (who would have loved its juxtaposition of archival footage of Polish workers and Jean-Michel Jarre’s “Industrial Symphony”), and revolves around a fictionalized version of Anna Walentynowicz, dubbed the “Mother of Modern Poland.” Read more