“No Reservations,” review by Moira Macdonald

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So here you have it — a heaping serving of warmed-over themes: uptight woman meets looser man, childless person has life changed by sudden arrival of child, wide-eyed child faces tragedy and must find happiness again, food as metaphor for love. What was so pleasing about “Mostly Martha” was the way it took familiar territory and made it new. Read more

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Moira Macdonald

Moira Macdonald reviews films for The Seattle Times.