ONLY LOVERS LEFT ALIVE – Review by Nikki Baughan

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Just as he did with the Samurai genre in 1999’s Ghost Dog: The Way of the Samurai, writer/director Jim Jarmusch now gives us an entirely different perspective on the vampire movie. A sparkling script and charismatic cast injects a new burst of life into a genre that’s become pallid and toothless thanks to blood-sucking franchises and adolescent fantasies and, together with Neil Marshall’s recent Byzantium, resurrects the vampire as an entirely adult anti-hero. Read more>>

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Nikki Baughan

Nikki Baughan is a London-based freelance film critic and features writer. Formerly editor of both Film Review and movieScope magazines, Nikki is currently contributes to various print and online publications, including Screen International, BFI, The List and Film Divider.