GRANDMA – Review by Susan Granger

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Paul Weitz’s idiosyncratic road movie revolves around Elle Reid (Lily Tomlin), a pensive poet and semi-retired academic who is still grieving for Violet, her partner for 30 years. Elle’s day begins as she coldly dismisses much-younger Olivia (Judy Greer), with whom she’s had a four-month fling. Then Elle’s 18 year-old granddaughter Sage (Julia Garner) appears on her doorstep, asking for $600 to pay for an abortion that’s already scheduled for later that afternoon.

Having just paid off her bills, Elle’s broke. She cannot use her credit cards since she cut them up and made a wind chime out of the plastic pieces, wryly explaining, “I’m transmogrifying my life into art.”

Since going to Sage’s brusque, judgmental businesswoman mother (Marcia Gay Harden) is out of the question, they climb into Violet’s ’55 Dodge Royal Lancer and begin driving around Los Angeles, trying to scrounge up cash.

First stop is to shake-down the weasel (Nat Wolff) who got Sage pregnant. Then Elle tries to sell her feminist first-editions to a bookstore/cafe owner (Elizabeth Pena) and retrieve a loan from a transgender tattoo artist (Laverne Cox). Most memorable among those they visit is Karl (Sam Elliott), who has never forgiven or forgotten Elle.

Written and directed by Paul Weitz (“About a Boy”), it’s a quirky character study, a comedic drama that’s perfectly tailored for Lily Tomlin’s talents. She obviously understands angry, misanthropic Elle.

“I’ve never really been the star of a movie,” Tomlin says, even though Time magazine featured her on its cover back in 1977, proclaiming her the “new queen of comedy.”

FYI: Tomlin had been offered the Time cover previously – on the condition that she reveal her homosexuality, which she refused, noting, “I was always very active in gay issues and most people knew I was gay, but they didn’t make a big deal out of it.”

And Tomlin’s teaming with Jane Fonda for Netflix’s second season of “Grace and Frankie,” in which they play frenemies whose newly-outed husbands announce plans to marry.

On the Granger Movie Gauge of 1 to 10, “Grandma” is an acerbic, insightful 7 – and Tomlin’s peppery performance.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.