SECRET IN THEIR EYES – Review by Susan Granger

0 Flares 0 Flares ×

It’s not surprising that Julia Roberts rose to the bait of this remake of Juan Jose Campanella’s 2009 Buenos Aires-based crime thriller – “El Secreto de Sus Ojos” – that won an Oscar as Best Foreign Language Film. Once America’s smiling sweetheart, Roberts plays an entirely different role, as complex Jess Cobb, a grungy, grief-stricken investigator for the Los Angeles District Attorney’s Office. Read on…

“You look a million years old,” says her observant DA boss, impeccably elegant Claire Sloan (Nicole Kidman).

Back in 2002, Jess’s teenage daughter, Caroline, was brutally raped and murdered, her body found in a dumpster near the local mosque, but the suspected killer, Marzin (Joe Cole), was never brought to justice.

Determined to track him down, Ray Kasten (Chiwetel Ejiofor), an empathetic, former F.B.I. terrorism expert, has doggedly pursued each and every lead for 13 years. He’s an obsessive vigilante, accompanied by his colleague Bumpy (Dean Norris).

As one character astutely comments, “We’re not just crossing the line, we’re burying it.”

Adapted and directed by Billy Ray (“Captain Phillips,” “Shattered Glass”) with cinematography by Julia’s now-estranged-husband Danny Moder, this recycled police procedural suffers from problematic characters and too many contrived coincidences, confusingly veering back-and-forth between 2002 and 2015.

One of the biggest disappointments is how the original crowded soccer-stadium chase sequence has been dumbed-down to a boring, poorly staged pursuit in Los Angeles’ Dodger Stadium.

Obviously encouraged by her Academy Award nomination for “August: Osage County,” Julia Roberts seems determined to defy expectations by pursuing meaty, off-beat characterizations – without glamorous makeup.

On the Granger Movie Gauge of 1 to 10, “Secret in Their Eyes” is a tepid, forgettable 4, a pulpy, inferior imitation of its Argentinean predecessor.

0 Flares Twitter 0 Facebook 0 0 Flares ×

Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.