CHEVALIER — Review by Alexandra Heller-Nicholas

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Like a black comedy feminist Deliverance, Athina Rachel Tsangari finds lying within the cracks of masculine performativity an inherent struggle with the omnipresent ‘threat’ of the feminine. Indulging in a luxury fishing holiday on the Aegean Sea, a casual conversation launches what will become a driving obsession for its six protagonists as they establish the ground rules of “Chevalier”, a game whose winner is collectively decided to be the man who is “the best in general”. Read more>>

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Alexandra Heller-Nicholas

Alexandra Heller-Nicholas is an award-winning film critic from Melbourne, Australia. She has written for publications including Senses of Cinema, Little White Lies, Overland, The Monthly, 4:3 Film, Meanjin, The Big Issue and Diabolique Magazine, and has written five books on cult, horror and exploitation cinema. She is currently co-editing a book of essays on Elaine May and writing a book on the history of women in the horror genre.