OUIJA: ORIGIN OF EVIL – Review by Susan Granger

0 Flares 0 Flares ×

I’ve always been fascinated by the Ouija Board. For the past century, this creepy board game, manufactured by Hasbro, has intrigued players around the world. Its popularity rose sharply after America’s Civil War, since families lost so many loved ones in battle, many of whom remained unidentified. Using the Ouija Board, grieving relatives often gathered in the parlor to consult the ‘spirits’ for reassurance. Read on…

But there’s also been a fear that using the device could lead to demonic possession, which led to admonitions for users, like never play alone, never play in a graveyard or where a terrible death has occurred, and never bid ‘goodbye’ to the entity with whom you are in contact.

So it’s altogether appropriate that a timely Halloween movie revolves around this supernatural concept.

Set as a prequel to “Ouija” (2014), the story revolves around California’s Zander family back in 1967.

Lonely, widowed Alice (Elizabeth Reaser) – a.k.a. “Madame Zander” – runs a fake medium business – creating séances with help from her daughters, 14 year-old Paulina (Annalise Basso) and 9 year-old Doris (Lulu Wilson), who simulate connections with a netherworld.

When Paulina discovers the Ouija Board at a neighborhood party, Alice buys one, thinking it will enhance her sessions. Problem is: young Doris becomes haunted by some malevolent Polish-speaking entity (Doug Jones) that turns out to be a Nazi doctor.

Predictably, Alice realizes that it’s time to summon a priest. In this case, it’s the principal of Doris’s parochial school, Father Tom (Henry Thomas), a widower who joined the seminary after his wife died.

Working with co-writer Jeff Howard and cinematographer Michael Fimognari, writer/director Mike Flanagan (“Oculus,” “Hush”) embraces the time frame wholeheartedly, utilizing the nostalgic Universal logo and old-fashioned place-card, giving these characters creditable backstories and, eventually, establishing a connection to the previous installment.

FYI: Ouija Boards have figured in other horror movies like “The Exorcist” (1973) and “Witchboard” (1986).

On the Granger Movie Gauge of 1 to 10, “Ouija: Origin of Evil” is a spooky 6 – for those who enjoy being scared.

0 Flares Twitter 0 Facebook 0 0 Flares ×
Avatar

Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.