LOGAN — Review by Susan Granger

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As the “X-Men” saga continues, Logan (Hugh Jackman) – a.k.a. Wolverine – is caring for cranky, critically ill Professor Charles Xavier (Patrick Stewart), along with the albino Caliban (Stephen Merchant), in a hideout along the Mexican border. It’s 2029, when mutants are almost extinct. Weary Logan earns his living as a chauffeur, driving his own limousine, and drinking far too much. But he’s still the feral mutant with massive claws and a trigger-sharp temper. Read on…

Answering a call from the Liberty Motel, a desperate Mexican nurse (Elizabeth Rodriguez) offers Logan a wad of money to take her 11 year-old, Spanish-speaking daughter Laura (Dafne Keen) to North Dakota, near the Canadian border. He’s initially reluctant until he realizes the rebellious, claw-wielding child, who will become X-23, has psychic powers similar to his own.

That catapults Logan into parental protective mode. From an “X-Men” comic book, Laura learned about a place called Eden, where mutants, like her, are nurtured, not hunted, and she’s determined to get there.

But villains are hot on her trail, like the cyborg Donald Pierce (Boyd Holbrook) and Dr. Zander Rice (Richard E. Grant).

Supposedly, this is the final installment in Wolverine’s solo trilogy, preceded by “X-Men Origins: Wolverine” (2009) and “The Wolverine” (2013). By now, Jackman’s Wolverine has entered the classic pantheon, joining Christopher Reeve’s Superman and Robert Downey Jr.’s Iron Man.

Directed by James Mangold (“3:10 to Yuma,” “Walk the Line”), who co-wrote the script with Scott Frank and Michael Green, it’s delves into aging Xavier/Logan’s patriarchal rapport and Logan/Laura’s father/daughter relationship.

It’s also the 10th film in the “X-Men” franchise. Cathartic, it fits into the Western genre – with cinematic references to George Stevens’ archetypal “Shane.”

It’s also R-rated for graphic, gruesome violence and profanity, so parents are advised NOT to bring young children.

On the Granger Movie Gauge of 1 to 10, “Logan” is an elegiac 8. And you don’t have to sit through the credits; there’s no “X-Men” epilogue.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.