THE CIRCLE — Review by Susan Granger

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Tackling the “Me-centric” revelatory culture of Google, Facebook, Twitter, Snapchat, etc., James Ponsoldt’s timely thriller delves into the ubiquitous perils of contemporary technology. When Mae Holland (Emily Watson) goes to work for The Circle, a massively powerful social media company in the San Francisco Bay Area, she’s thrilled. Beginning as a ‘guppy,’ she’s assigned to a Customer Service desk, where she’s expected not only to excel but also to participate in off-hour and weekend events with her co-workers. Continue reading…

Run by a management team consisting of charismatic visionary Eamon Bailey (Tom Hanks) and businessman Tom Stenton (Patton Oswalt), The Circle is touting a new social interface app, TruYou, a single-identity password solution which eliminates anonymity, along with SeeChange, a tiny, inconspicuous webcam that can be attached to any surface to emit constant surveillance.

“Knowing is good, but knowing everything is better,” claims evangelistic Eamon Bailey at one of his “Dream Friday” pep talks.

Grateful that she can extend her insurance coverage to include her frail, multiple sclerosis-afflicted father (the late Bill Paxton, in his last screen role) and that the company’s omnipresent monitors saved her from drowning when she foolishly went kayaking alone at night, guileless Mae offers to relinquish all personal privacy and go “fully transparent,” so that everything she does can be seen by Circle members.

Obviously, this leads to more than one embarrassing incident, the most tragic involving Mae’s off-the-grid buddy Mercer (Ellar Coltrane), who just wants to craft chandeliers out of deer antlers, along with the alienation of her best friend/mentor Annie (Karen Gillan).

Adapting his own 2014 novel, Dave Eggers and director James Ponsoldt (“The End of the Tour,” “The Spectacular Now”) meanders toward ominous melodrama, subtly reducing the fascistic future’s pivotal, high-tech skeptic Ty (John Boyega) to an enigmatic, incomprehensible cipher.

Comparisons with George Orwell’s prophetic “1984,” Alan J. Pakula’s “The Parallax View,” and Peter Weir’s “The Truman Show” are inevitable.

On the Granger Movie Gauge of 1 to 10, “The Circle” is a sleekly sinister, satirical 6, evolving into a cautionary tale.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.