THE DINNER — Review by Susan Granger

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When teenagers commit a heinous crime, how should their parents react? That’s the ethical dilemma propelling writer/director Oren Moverman’s meandering morality play/meditation, based on Dutch novelist Herman Koch’s controversial bestseller, first published in the Netherlands in 2009. Continue reading…

It begins with the narrator, Paul Lohman (Steve Coogan), as he and his wife Claire (Laura Linney) prepare to join Paul’s older brother Stan (Richard Gere), and his wife Katelyn (Rebecca Hall) at a pretentiously elite and outrageously expensive restaurant for dinner.

Since their sibling rivalry has left them estranged since childhood, the brothers rarely socialize, but their three sons (Charlie Plummer, Seamus Davey-Fitzpatrick, Miles J. Harvey) have grown up together. Now 16, two of the teenagers commit a callous hate crime in an ATM booth that’s shocked the country.

While their sons’ identities have not yet been discovered, although a video was posted on YouTube, their parents must decide what action to take.

Pragmatic, politically ambitious, yet principled Stan Loman seemingly has the most at stake, since he’s a popular U.S. Congressman who is launching a campaign for Governor, an exalted position his trophy second wife has set her sights on.

Troubled Paul is a former high-school history teacher whose incipient rage ripples just below his superficial calm, while patient, supportive Claire is a cancer survivor.

The narrative debate is structured around the epicurean feast’s successive courses, but Moverman (“Time Out of Mind”) and cinematographer Bobby Bukowski take us away from the posh restaurant setting momentarily by intercutting disconcertingly fragmented flashbacks of the children’s childhoods and the brothers’ trip to the Civil War battlefield at Gettysburg, where so many lives were sacrificed.

The central psychological carnage is overly complicated and self-consciously clever, but Steve Coogan’s agonizing grasp of acerbic Paul’s frustration is stunning. Richard Gere falls back on his usual grace and charm, while Laura Linney and Rebecca Hall convincingly embody their respective roles.

On the Granger Movie Gauge of 1 to 10, “The Dinner” is an ominously unbalanced, undercooked 4, culminating in an infuriatingly enigmatic conclusion.

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Susan Granger

Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.