THE LAST FACE — Review by Susan Granger

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Years ago, Robin Wright, who was married to Sean Penn, optioned this concept as a “passion project,” involving both Penn and Javier Bardem, but funding fell through. When Wright and Penn divorced, Penn obviously got custody, casting his then-fiancée, Charlize Theron, in the role Wright had wanted to play. Born in South Africa, Theron might have been a superb choice, but Penn was so obviously besotted with her beauty that he rapturously photographs her like a glamorous fashion model, not an altruistic doctor. Continue reading…

That – among other elements – dilutes the veracity of this fragmented, savagely realistic depiction of war-ravaged people.

The melodramatic plot revolves around Dr. Wren Petersen (Theron), the uptight daughter of the famous humanitarian founder of Medecins du Monde, who meets roguish surgeon Miguel Leon (Bardem) at a Monrovian refugee camp. Sparks ignite!

“Before I met Miguel, I was an idea I had. I didn’t really exist,” she muses.

Years later, when Wren has become director of an international aid agency, their paths cross again in Sierra Leone, Liberia and South Sudan, where Wren reverts to her roots, joining Miguel and his blood-soaked cohorts (Jean Reno, Jared Harris), desperately trying to save lives amid barbarism.

In his first directorial duty since “Into the Wild” (2007), Penn, recognized as a human-rights activist in Haiti, relies on Erin Dignam’s shallow, preachy script, filled with whispered, often incoherent dialogue.

While a prologue proclaims the “impossible brutality” of the West African conflict, Penn’s focus is on the love between a man and a woman, as if the stench of death is some kind of an aphrodisiac.

There’s a resonant “Hurt Locker” moment when Wren muses about an “addiction to emergency,” which is not surprising since it’s chronicled by “Hurt Locker” cinematographer Barry Ackroyd.

But how does one deal with lines like – “You know that girl I was dancing with? She watched her sister get raped to death, and she was raped as well? “

On the Granger Movie Gauge of 1 to 10, “The Last Face” is a gruesome, gravely disappointing 3 – Penn’s pompous indulgence.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.