A YEAR BY THE SEA — Review by Susan Granger

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Based on Joan Anderson’s New York Times best-selling memoir, filmmaker Alexander Janko has made one of those rare, feel-good films that celebrates middle-aged women. At her son’s wedding reception, Joan (Karen Allen) learns that her husband’s New York office is moving to Wichita, Kansas, and she’s expected to go along with the unexpected relocation. Continue reading…

Since her 30-year marriage to Robin (Pulitzer prize-winning playwright Michael Cristofer) has gone stale, Joan decides, instead, to go to off-season Cape Cod to rediscover herself and redefine her life. She’s a writer, so maybe she can find inspiration there.

To her initial dismay, Joan discovers that the rustic cottage that she rented – sight unseen – is a bit off-shore, requiring her to learn to navigate a rowboat.

The next morning, she meets a woman, also named Joan (Celia Imrie), who’s ecstatically dancing on the beach. She’s the wife of pioneering psychologist Erik Erikson (Alvin Epstein), who coined the term “identity crisis.” This free-spirited, new friend becomes her mentor, guiding her gradual, restorative transformation.

Plus there’s hunky clam-digger John Cahoon (Yannick Bisson), who not only takes her out on his fishing boat, aptly dubbed Seal Woman, so she can view seals cavorting on a sand bar, but also offers her a job at his fish market.

Joan’s other acquaintances include long-suffering Luce (Monique Gabriela Cuman), who runs the coastal coffee shop, and her abusive, alcoholic boyfriend, Billy (Kohler McKenzie). Plus there’s the continual support of Joan’s literary agent, Liz (S. Epatha Merkerson).

“I feel a bit like a boat – adrift – with nothing to steady me,” she explains.

Composer Alexander Janko (“Anastasia,” “My Big Fat Greek Wedding”) makes his writer/director debut with this gentle, cliché-riddled, anecdotal melodrama, picturesquely filmed by Bryan Papierski in Chatham, Orleans and Wellfleet in Massachusetts.

On the Granger Movie Gauge of 1 to 10, “Year by the Sea” is a subtly sincere, if soggy 6. If you liked “Eat Pray Love,” “Under the Tuscan Sun” and “45 Years,” you’ll enjoy this.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.