KINGSMAN: THE GOLDEN CIRCLE — Review by Susan Granger

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Following his deliriously surprising “Kingsman” (2015), Matthew Vaughn’s cynical, R-rated sequel continues the stylized spoof of James Bond spy stories. With her retro-50s headquarters hidden deep in Cambodian rainforest ruins, the megalomaniacal villain is Poppy Adams (Julianne Moore), the world’s most successful – and demented – drug dealer, who manages to destroy most of the Kingsman knights along with their bespoke tailor shop on Savile Row. Continue reading…

That leaves only Gary “Eggsy” Unwin (Taron Egerton), the cheeky former London street kid-turned-superspy who is in love with Princess Tilde (Hanna Alstrom), daughter of Sweden’s King and Queen (Bjorn Granath, Lena Endre), whom he rescued in the first film’s climax.

Eggsy and gadget-wizard Merlin (Mark Strong) venture across the pond to Kentucky to find American spy allies at Statesman bourbon brewery, run by Champagne – “Call me Champ” – (Jeff Bridges), whose cowboy team includes Tequila (Channing Tatum), Whiskey (Pedro Pascal) and tech-whiz Ginger Ale (Halle Berry).

Meanwhile, Poppy has implanted a mysterious virus to infect and, eventually, kill every drug user in the world. She intends to blackmail the President of the United States (Bruce Greenwood) to bargain for the antidote. But her plan backfires when he opts to double-cross her – to the chagrin of his chief-of-staff (Emily Watson).

Meanwhile, having miraculously survived being shot in the eye, suave Harry Hart (Colin Firth) – whose Kingsman code name is “Galahad” – is suffering from “retrograde amnesia.” Locked in a padded cell, he believes he’s a lepidopterist (a butterfly collector).

And there’s an extended pop cameo by Elton John, being held captive as Poppy’s piano-playing prisoner.

Based on comic books by Mark Millar and Dave Gibbons, it’s sloppily scripted by director Vaughn and Jane Goldman, who rely far too much on crudely explicit sex gags, maniacal action and exaggerated CGI, lacking the essential element of surprise which made the original such a success.

On the Granger Movie Gauge of 1 to 10, “Kingsman: The Golden Circle” is a sassy, satirical 6, as the flippant, fun-filled, fantasy franchise continues.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.