FACES PLACES — Review by Susan Granger

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French New Wave pioneer Agnes Varda, who made her first film in 1954, is now 89 years old – and as warm and vital as ever, even if her eyesight is fading. Working with acclaimed 34 year-old French photographer/muralist JR, she shares her lifelong passion for images and how they are created, displayed and shared in this personalized, pastoral documentary. Continue reading…

Together, they travel around France’s villages, farms, factories and beaches in JR’s van, which doubles as a giant-photo booth and is painted to look like a giant camera, encountering ordinary, working-class citizens, learning their stories and crafting oversized portraits of them.

These enormous artistic works are then exhibited on houses, barns, storefronts and trains, documenting the humanity in their subjects – and themselves – along with a unique glimpse of contemporary life.

“Chance has always been my best asset,” Varda claims, referring to her life and her cinema.

As an acknowledgement of women, they photograph dockworkers’ wives in the port city of Le Havre. “It’s good to see a woman standing tall,” Vardas says, as these large-scale, black-and-white pictures are plastered against a massive tower of shipping crates.
They’re ‘odd couple’ vagabonds in the very best sense of the word: short, stocky Agnes Varda with her assortment of colorful sweaters and long, lanky JR with his pork-pie hat and hipster sunglasses.

In both an act of defiance and admission of age, they reenact the exhilarating running-through-the-Louvre scene in Jean-Luc Godard’s “Band of Outsiders” with JR pushing Varda, ensconced in a wheelchair.

As a touching gift, JR pastes a photo of Varda’s late photographer friend Guy Bourdin onto the side of a collapsed Nazi-era bunker on a Normandy beach, only to realize that a short time later, the tides will wash this commemorative away. It’s a precious, melancholy moment, coupled with the realization that people are forever destined to fade.

And in a poignant, concluding tribute, JR finally takes off his sunglasses.

In French with English subtitles, on the Granger Movie Gauge of 1 to 10, “Faces Places” is an unforgettable, irresistible 8, a restorative road trip.

EDITOR’S NOTE: FACES PLACES is AWFJ’s Movie of the Week (#MOTV) for October 6. Director Agnes Varda is in AWFJ’s October SPOTLIGHT

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.