THE BREADWINNER — Review by Sandie Angulo Chen

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The Breadwinner is a beautifully animated drama from the co-director of The Secret of Kells that’s set in post-Taliban Afghanistan. Based on the young adult novel by Deborah Ellis, it centers on an 11-year-old girl who’s forced to pretend she’s a boy after her father is imprisoned. The movie heartbreakingly captures the violent, anti-women, anti-intellectual, and even anti-literacy stance of the Taliban regime. Women are harassed and beaten for not covering themselves properly, being in public without a husband/father, and drawing attention to themselves. Taliban soldiers and followers intimidate and threaten characters and keep one imprisoned. A few mild insults pepper the dialogue (“crazy,” “stupid,” “enemy of Islam,” etc.), but it’s the realistic violence that’s most likely to upset younger viewers. There’s also a story-within-the-story in which skeleton ghosts, attacking jaguars, and an evil elephant king figure prominently, but it’s not as frightening as the mistreatment of people (particularly girls and women) under Taliban rule. And, ultimately, themes of perseverance, curiosity, and courage prevail. Continue reading…

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Sandie Angulo Chen

Sandie Angulo Chen

Sandie Angulo Chen is a feature writer, film critic, and book reviewer. She’s written about movies and pop culture since high school, contributing to outlets like Common Sense Media, The Washington Post, EW, Moviefone, and Variety. She lives outside Washington D.C. with her husband and their three young cinephiles.