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motw logo 1-35In “Molly’s Game,” writer/director Aaron Sorkin introduces us to Molly Bloom (Jessica Chastain), a complicated woman who’s all the more fascinating because she’s real. Smart, resourceful, competitive, driven — Molly succeeds at whatever she puts her mind to. At first, that’s skiing; pushed hard by her demanding father, Larry (Kevin Costner), she becomes an Olympic-level champion who seems destined for gold…until a random accident ends her skiing career for good. continue reading….

mollys game posterAn impulsive move to L.A. leads to a job as the put-upon assistant of producer/promoter Dean Keith (Jeremy Strong), who runs a high-stakes underground poker game and enlists Molly to help. She learns the ropes quickly and eventually strikes out on her own, recruiting wealthy gamblers like Player X (Michael Cera), Douglas Downey (Chris O’Dowd), Harlan Eustice (Bill Camp), and many more. Half of them fall in love with her, but she keeps her distance; she’s cool, calm, and poised — always a professional.

At least, that’s how it might look. But behind the scenes, Molly relies on ever-stronger drugs to keep herself alert and awake, and — supposedly unbeknownst to her — the Russian mafia has infiltrated her game. And that’s what ultimately leads to her arrest and a federal lawsuit. She turns to upstanding lawyer Charlie Jaffey (Idris Elba) for help, but he’s not sure he trusts her — or buys her story.

And why should he? Molly is, if anything, extremely able to manipulate circumstances to her own benefit. It’s to Chastain’s credit that Molly is as sympathetic and likable as she is, because the reality is that she did lots of iffy things and made lots of questionable choices. Sorkin’s script ties it all into Molly’s difficult relationship with her father (Larry’s rapid-fire psychoanalysis of Molly is a stand-out scene), but he also gives Molly her own moral code — which is ultimately what wins Charlie, and the audience, over. Sorkin has always been an actor’s writer, and Chastain revels in his dense-but-flowing dialogue. Her performance is the key to “Molly’s Game”‘s success — Betsy Bozdech

Team #MOTW’s comments:

MaryAnn Johanson Feminist in the best way, Molly’s Game isn’t just a movie that puts a woman at its center. It puts a woman at its center who is as complex, as contradictory, as confused as men always get to be onscreen. The film finds its feminism in obvious places, in how men underestimate or outright dismiss its female protagonist merely because she is a woman, and there’s definite go-girl triumph in how she overcomes that and gets small revenges. But there’s much more important feminism in how the film depicts Molly as someone who does not have it all together, who makes big mistakes, who falls into easy traps, who perhaps lets her ambition get the better of her. Who is, in other words, a fully human person. Read the full review.

Cynthia Fuchs “This woman does not belong in a RICO indictment. She belongs on a box of Wheaties.” Attorney Charlie Jaffey (Idris Elba) gives a rousing speech near the end of Molly’s Game, one where he defends his client, Molly (Jessica Chastain), against a pair of government prosecutors. They want her to give up information on the men who played in her high stakes poker games. Charlie, it turns out, is borrowing his defense from his daughter Stella (Whitney Peak), who sees in Molly a role model and a hero. Read full review.

Liz Whittemore With a writer like Aaron Sorkin you know you’re getting the kind of dialogue an actor can only dream about. For a director, Jessica Chastain is the kind of actress that will deliver every word with nothing but truth. Combining Sorkin’s script with Chastain’s performance for the screenwriter’s directorial debut is a sure bet. Molly’s Game is high stakes win for audiences.

Sheila Roberts Jessica Chastain delivers a superb performance in “Molly’s Game,” filmmaker Aaron Sorkin’s tightly paced feature directorial debut inspired by the real-life story of poker princess Molly Bloom. Intelligently written and solidly helmed, this witty high stakes poker drama adapted by Sorkin from Bloom’s entertaining memoir features a strong supporting cast that includes Idris Elba, Michael Cera, Jeremy Strong and Kevin Costner. Chastain plays an ambitious former Olympic freestyle skier who draws on her competitive training to run a successful high-stakes poker empire in a male-dominated arena until her underground game becomes the target of an FBI investigation. Noteworthy is Chastain’s meticulous voice-over narration revealing her character’s mercurial rise and fall and Danish DP Charlotte Bruus Christensen’s exquisite cinematography.

Nell Minow Molly Bloom made some bad mistakes and trusted some bad people but she refused to be anything less than trustworthy herself. Jessica Chastain shows us both her resolve and her vulnerability and the scene near the end with Kevin Costner as Bloom’s father is one of the best of the year.

Jennifer Merin We’re starting off our new year of #MOTWs with a film that features a highly complex, completely fascinating and quite controversial truth-based character: Molly Bloom. As written by Aaron Sorkin, who also makes his directorial debut with the film, MOLLY’S GAME introduces us to a young woman whose tremendous moxie and determination leads her down a path of unwise choices, and then allows us to watch her struggle to find a way out of the difficult circumstances in which she lands. Jessica Chastain’s performance certainly does justice to Molly’s quest.

Anne Brodie Jessica Chastain delivers Aaron Sorkin’s densely worded script with lightning rapidity, quite a feat, as illegal gambling maven Molly Bloom. She’s smart, a go-getter, an ambitious Olympic skier who sustained a career-ending injury, and turned her talents and will to reading people. She was a quick study of human behaviour and found the perfect outlet. She developed a world class travelling poker game using that Olympian focus. Her games were legendary, attracting international celebrities, politicians, the heaviest hitters, she made money hand over fist and managed to stay below law enforcement radar. Sorkin’s trademark fast talk mirrors the pace of action in this, his directorial debut. Everything about the film is fast; it’s fun and exciting and at times, head spinning. However, an hour of fast talk in a TV series is cool, almost two and a half hours in a film is wearing. Good thing the true story is interesting.

Pam Grady For his directorial debut, Aaron Sorkin makes a curious choice in adapting Molly Bloom’s book about her life running poker games that led to brushes with Hollywood players, the Russian and Italian mobs, and eventually a federal indictment. He leans so heavily on star Jessica Chastain’s voiceover narration, explaining Bloom’s life and career in excruciating detail, that at times it seems as if he is directing an audio book instead of a movie. But the director forgetting that it’s better to show than to tell is not Molly’s Game‘s biggest problem. It’s the inherent lack of drama as Sorkin fails to make either Molly’s life in LA and New York’s gambling circles or the legal quicksand that envelops her interesting. And for all of Molly’s nattering about her situation on the soundtrack, legal strategizing with her lawyer Charlie Jaffey (a wasted Idris Elba), and illustrations of her daddy issues with her psychologist father Larry (Kevin Costner), she never comes into clear focus. Sorkin wants to portray her as a righteous paragon of virtue (hammering the point home with allusions to Arthur Miller’s play The Crucible and its falsely accused witches), an image at odds with her own narration that makes it crystal clear she knew what kind of a seamy world she had entered from the start and chose to make her living there, anyway.


Title: Molly’s Game

Directors: Aaron Sorkin

Release Date: January 5, 2018

Running Time: 140 minutes

Language: English

Screenwriter: Aaron Sorkin, Molly Bloom (autobiography)

Production Company: STXEmtertainment


Official Website

AWFJ Movie of the Week Panel Members: Nikki Baughan, Anne Brodie, Betsy Bozdech, Cynthia Fuchs, Pam Grady, Leba Hertz, Esther Iverem, Cate Marquis, Jennifer Merin, Nell Minow, Sheila Roberts, Liz Whittemore, Susan Wloszczyna, Jeanne Wolf

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).