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motw logo 1-35As beautiful to look at as it is entertaining to watch, Guillermo del Toro’s “The Shape of Water” is a rich, textured romance/fairy tale about two misfits who find unexpected kinship in a secret government lab during the Cold War. It’s unlike any other film that hit the big screen in 2017, which is one of the reasons why AWFJ members voted to give it the EDA Award for Best Film of the year.

The story centers on Elisa (Sally Hawkins), a mute woman who works on the cleaning staff at the aforementioned lab. She and her chatty colleague/friend, Zelda (Octavia Spencer), discover that a mysterious amphibious man (Doug Jones) has been brought to the lab for study by Dr. Robert Hoffstetler (Michael Stuhlbarg) under the supervision of militaristic facility director Richard Strickland (Michael Shannon), who’s eager to cut the mysterious creature open and find out whether what makes him tick can be weaponized.

But Elisa won’t allow that to happen. Her strong affinity both for the water and for others who don’t fit in — like her earnest artist neighbor, Giles (Richard Jenkins) — leads her to strike up a relationship with the amphibious man. Against all odds, she’s determined to free him from the lab and keep him safe.

Thanks to Hawkins’ brave, nuanced performance (her facial expressions say more than most dialogue), del Toro’s sure-handed direction, and the gorgeous production design, cinematography, and score, the film makes an impact you can’t ignore. Like most classic fairy tales, “The Shape of Water” has at least as much darkness and conflict as it does romance and light; it’s intense and emotional. And unforgettable. — Betsy Bozdech

Team #MOTW’s comments:

Pam Grady: Sally Hawkins delivers 2017’s most evocative and moving performance as Elisa, a mute janitor who rescues the amphibious man (Doug Jones) she’s come to love from his fate as a lab rat in Guillermo Del Toro’s glorious valentine to cinema. Set in 1962, this Cold War fable—in which Michael Shannon plays a cruel government drone, Michael Stuhlbarg a big-hearted scientist with a secret, and Richard Jenkins and Octavia Spencer Elisa’s loyal friends—recalls the era with its sublime production design and costuming, film snippets of the era sprinkled throughout, and a spectacular homage to the musicals of Stanley Donen. This offbeat riff on The Creature from the Black Lagoon is a ravishingly romantic tale and a masterpiece.

Nikki Baughan: Fantastical and allegorical, Guillermo Del Toro’s The Shape Of Water is perhaps the most unconventional romance you’re likely to see, yet proves to be utterly beguiling. Sally Hawkins puts in an awards-worthy performance as charming, mute Elisa who, while cleaning at a top secret government facility during the 1960s, happens across an amphibious creature being held there for experimentation. Their bond is immediate, and what follows is both a touching love story and poignant, elegant treatise on the nature of tolerance and prejudice, and what it really means to be human. Featuring an exceptional cast – including Octavia Spencer as Elisa’s straight-talking friend, Michael Shannon as a shady government agent who proves that monsters may indeed walk the earth and the inimitable Doug Jones behind the aquatic makeup – and some truly glorious production design, The Shape Of Water plays like a traditional Hollywood romance with a decidedly modern sensibility.

MaryAnn Johanson Guillermo del Toro turns genre conventions upside down in this weird and wonderful love story, not only by making the “monster” an object of romantic desire but by creating a leading character unlike any we’re seen before. Sally Hawkins’s mute cleaning lady is a disabled heroine seen too rarely on the big screen, one for whom her disability is not the focus of the story, and one whose sexuality is not backburnered… as the film lets us know right from the beginning! The Shape of Water may be set more than half a century ago, but it’s a very modern fairy tale.

Esther Iverem: With “The Shape of Water,” director Guillermo del Toro delivers a seductive monster movie that also references today’s global resistance to oppression, discrimination and human arrogance. Superb acting and a quirky script rich with magical realism combine to deliver suspense, humor and surprises from beginning to end.

Jennifer Merin The Shape of Water illuminates the human value of misfits and monsters, and creates a wonderfully magical realm in which love prevails and dreams come true. Sally Hawkins and Doug Jones tap the divine in their performances, and Octavia Spencer supports with ministerial majesty. A(wo)men.

Liz Whittemore The Shape Of Water is the cinematic dream we’ve been missing and didn’t even know it. Guillermo del Toro’s mind has already given us movie magic with films like Pan’s Labyrinth, Crimson Peak, and Hell Boy, each with a distinctive style. The Shape Of Water is no less saturated in lush colors, costumes, and storytelling. This unique film will capture your imagination with engrossing performances from a top-notch ensemble cast and a romantic twist to the old-school monster movie. It’s truly breathtaking and the reasons are abundantly clear as to why we picked it as our Best Film of 2017.

Cate Marquis Magical, evocative and haunting, THE SHAPE OF WATER blends Cold War thriller, fairy tale and monster movie genres in director Guillermo Del Toro’s best film since PAN’S LABYRINTH, as well as one of the year’s best.


Title: The Shape of Water

Directors: Guillermo del Toro

Release Date: December 8, 2017

Running Time: 163 minutes

Language: English

Screenwriter: Guillermo del Toro and Vanessa Taylor

Distribution Company: Fox Searchlight


Official Website

AWFJ Movie of the Week Panel Members: Nikki Baughan, Anne Brodie, Betsy Bozdech, Cynthia Fuchs, Pam Grady, Leba Hertz, Esther Iverem, Cate Marquis, Jennifer Merin, Nell Minow, Liz Whittemore, Susan Wloszczyna, Jeanne Wolf

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).