Rachel Morrison made history this year by becoming the first woman to be nominated for the best cinematography Oscar, for her raw, immersive work on Dee Rees’ Mudbound (2017). But that stellar achievement is something of a double-edged sword. It’s possible to be thrilled by her success, while also remaining frustrated that she’s the first woman to be so honoured by the Academy and that gender representation across all industry sectors remains so shameful. While the statistics are enduringly disheartening, women have been working tirelessly behind the camera since the earliest days of movies. So perhaps it’s time to replace that lament of ‘Where are the women?’ with a battle cry of ‘Here are the women’, to recognise and celebrate inclusivity were it exists, and to demand more of it. Continue reading….
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