DARK MONEY — Review by Jennifer Merin

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Kimberly Reed’s documentary is an explosive expose about the tremendous threat the influence of concealed corporate funding of political campaigns poses to the democratic process and the legitimacy of our elections. Dark Money is a cautionary tale that shows how independent candidates for public office are targeted and defeated by special interest groups hiding behind nonprofit organizations that are funded by wealthy and influential individuals and.or corporations — the Koch brothers, for example — who are basically buying elections and gaining control of the future laws and policies of the United States, and the rights of US citizens. Reed follows an independent investigative journalist who takes a penetrating look at election regulations regarding campaign contributions, tracks dark money back to its sources and pulls the veil back on corrupt individuals who are abusing the basic tenets of our government. The well-researched and extremely important documentary is a political shocker that should be mandatory viewing for all Americans. Read full review on CINEMA CITIZEN

motw logo 1-35EDITOR’S NOTE: Dark Money is AWFJ’s Movie of the Week for July 13, 2018

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is also a member of the Broadcast Film Critics Association. Read Merin's recent articles below. For her complete archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).