BOHEMIAN RHAPSODY – Review by Susan Granger

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Confession: Rock music is not my thing, so perhaps I’m the only person on the planet who didn’t know who Freddie Mercury or Queen was – until now – and Rami Malek’s magnificent performance blew me away! Named after Queen’s innovative, six-minute, genre-melding musical masterpiece, this film chronicles the rise-and-fall of the band’s flamboyant, yet enigmatic frontman.

In 1970, young Farrokh Bulsara was a baggage-handler at Heathrow Airport whose conservative, working-class, Indian Parsi family fled from war-torn Zanzibar to Middlesex, London.

Born with four extra incisors, leading to an obvious overbite, Freddie brazenly told his future bandmates, “More space in my mouth means more range.” Since they needed a lead singer, he was immediately accepted by guitarist Brian May (Gwilym Lee) and drummer Roger Taylor (Ben Hardy) later joined by bassist John Deacon (Joe Mazzello).

Eagerness for audience participation led to their anthem “We Will Rock You,” along with “Killer Queen,” then “Love of My Life,” which was poignantly tied to Freddie’s long-term fiancée Mary Austin (Lucy Boynton).

But his anguished relationship with conniving manager/lover Paul Prenter (Allen Leech) led to continual conflict, since droll Freddie carefully closeted his hedonistic bi-sexuality which, eventually, led to his death from AIDS-related pneumonia in 1991.

Formulaically scripted by Anthony McCarten (“Darkest Hour,” “The Theory of Everything”), this chaotic, cliché-filled biopic begins before Queen’s spectacular 1985 Live Aid performance at London’s Wembley Stadium and concludes with their iconic “We Are the Champions.”

The awkward direction is attributed to Byran Singer, who was fired during production and replaced by Dexter Fletcher, now credited as executive producer.

What’s most memorable is the meticulous portrayal by Rami Malek (“Mr. Robot”) which transcends the film’s faults. Donning prosthetic teeth and shimmering silver jumpsuit, Malek energetically mimics Freddie Mercury’s strutting bravado. During filming, Malek sang along with Mercury’s recordings and Canadian sound-alike Marc Martel, so the enhanced lip-synching matches up perfectly.

On the Granger Movie Gauge of 1 to 10, “Bohemian Rhapsody” is a sinuous 7 – with Rami Malek high on the list for an Oscar nomination.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.