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THE GIRL IN THE SPIDER’S WEB – Review by Susan Granger

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The formidable Swedish Goth vigilante Lisbeth Salander from Stieg Larsson’s “Millennium” trilogy is back. This time, she’s portrayed by Claire Foy, best known as young Queen Elizabeth II in the Netflix series “The Crown” for which she won an Emmy/Golden Globe.

Her story opens with an ominous flashback as adolescent Lisbeth and her sister Camilla are summoned to the bedroom of their Russian crime lord father, Alexander Zalachenko (Mikael Persbrandt). Aware of his perverted intentions, Lisbeth jumps off a high balcony into a blizzard to escape.

After suffering a traumatic childhood, motorcycle-riding Lisbeth terrorizes Stockholm as a defender of abused women, armed with an electric taser. The only men she trusts are her ex-lover/married journalist Mikael Blomkvist (Sverrir Gudnason), who wrote and published her story, and high-tech hacker Plague (Cameron Britton).

Contacted by terrified, soon-to-be-killed programmer Frans Balder (Stephen Merchant), intrepid Lisbeth acquires his pilfered ‘Firefall’ software that controls the world’s nuclear weapons. But only Balder’s six year-old autistic savant son August (Christopher Convery) knows how to decipher the access code.

Lisbeth is supposed to deliver it to NSA security expert Edwin Needham (Lakeith Stanfield), but the briefcase is stolen from her by a crime syndicate called the Spiders that’s connected to her sinister, estranged sister Camilla (Sylvia Hoeks) and Gabriella Grane (Synnove Macody Lund), deputy director of the Swedish Secret Service.

Since Stieg Larsson died in 2004, the year before the first novel was published, author David Lagercrantz transformed Lisbeth’s character into a bisexual super sleuth, and his novel has been adapted by director Fede Alvarez, Jay Basu and Steven Knight.

As the punk hacker, Claire Foy is a far more skilled actress than Rooney Mara, but Fede Alvarez (“Don’t Breathe”) is no David Fincher (“The Girl With the Dragon Tattoo”). And Sverrir Gudnason cannot replace Daniel Craig.

On the Granger Movie Gauge of 1 to 10, “The Girl in the Spider’s Web” is an unfocused, far-fetched 5, spinning a forgettable espionage-thriller.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.