MARY POPPINS RETURNS – Review by Susan Granger

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If you’re looking for a jolly holiday gift that’s “practically perfect,” take everyone – kids and grandparents included – to see this enchanting, utterly delightful Disney sequel.

It’s set in 1930s London, long after Mary Poppins original 1964 visit. Grown-up Michael Banks (Ben Whishaw) is now a widower, and his labor-activist sister Jane (Emily Mortimer) has come to help him with his three little children: Georgie (Joel Dawson), John (Nathanael Saleh) and Annabel (Pixie Davies).

Their mother died a year ago, and grief-stricken Michael’s financial position is so precarious that they’re at risk of losing their beloved family home on Cherry Tree Lane to villainous Fidelity Fiduciary banker, William Weatherall Wilkins (Colin Firth), unless Michael can repay a home-equity loan in five days.

That’s when Mary Poppins (Emily Blunt), the mysterious nanny, descends from the clouds, clutching her parrot-headed umbrella and carpetbag full of surprises.

Mary is snappy, strict and extraordinarily vain, yet warm and fun-loving, particularly when she makes magic with Jack (Lin-Manuel Miranda), her Cockney lamplighter mate, and her manic, directionally-challenged Cousin Topsy (Meryl Streep).

“No one can out-Julie Andrews Julie Andrews,” Emily Blunt says. “This is about presenting my version.”

As an added treat, Dick Van Dyke dances and Angela Lansbury sings. Who could ask for anything more?

The exuberant collaboration between screenwriter David Magee (“The Life of Pi,” “Finding Neverland”) and director Rob Marshall (“Into the Woods,” “Chicago”), along with Marshall’s partner/producer John DeLuca and cinematographer Dion Beebe, results in an eye-popping, entertaining, yet emotional film.

Beyond supercalifragilisticexpialodocious, it deals with the even deeper issues that British author P.L. Travers explored in “Mary Poppins Comes Back” (1935) and “Mary Poppins Opens the Door” (1945).

While Marc Shaiman and Scott Wittman’s new songs aren’t as memorable as the Sherman Brothers’ classics, they’re toe-tapping and tuneful.

On the Granger Movie Gauge of 1 to 10, “Mary Poppins Returns” is a terrific 10, one of the best family films of the year.

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Susan Granger

Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.