Ai Weiwei Never Sorry – Retroview by Jennifer Merin

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In Ai Weiwei: Never Sorry, first time filmmaker Alison Klayman chronicles the daily life of the famous artist as he uses his work and his notoriety to draw attention to his grievances against the current Chinese government.

The film also profiles the artist, and provides background on artistic achievements from the time when he left China during the 1970s to study and work in New York City and became part of the city’s downtown art scene, to the establishment of his at home studio in China, his contribution to the architectural design of the stadium used for the Chinese Olympics, and his very well-attended art installation at London’s Tate Gallery. For the Tate exhibition, Weiwei had 100-million hand-painted porcelain sunflower seeds — slightly larger than natural sunflower seeds, but otherwise exact representations — made in a small town in China and flown to the UK, where they were spread evenly — sort of like pebbles in a Japanese garden — on the gallery floor. Continue reading on CINEMA CITIZEN.

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).