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motw logo 1-35A determined mother prepares to battle an extremist regime in desperate hopes of finding and rescuing her young son, who was torn from her by the same oppressors who turned her into a sex slave. No, it’s not The Handmaid’s Tale — it’s director Eva Husson’s powerful Girls of the Sun, which is based on all-too-real circumstances in present-day Kurdistan.

Golshifteh Farahani stars as Bahar, the leader of a battalion of fearless Kurdish women who’ve learned how to fight and won’t stop until they’ve freed their village, no matter what it takes. Scenes of the women planning for and embarking on their mission are intercut with flashbacks to their lives before and during the extremists’ takeover. We see how regular women — mothers, wives, sisters, friends — became rifle-toting soldiers with a single-minded goal of liberation.

The film’s structure is effective. Like Mathilde (Emmanuelle Bercot), the veteran French war-zone journalist who joins the battalion to observe and document their mission, viewers learn to care deeply about Bahar and her fellow fighters as their stories gradually unfold. Husson’s ability to build tension — both in the flashbacks and in the present-day scenes — is impressive, and our investment in her characters (she co-wrote the screenplay) makes the stakes feel even higher.

Farahani is gripping in the film’s central role; her Bahar is intense, loyal, daring, and focused. She cares very much for the women she leads, but she also knows that their mission is bigger than any one of them. They must succeed, no matter the cost, because children’s lives depend on it. And for a mother like Bahar, nothing else matters more than that. Girls of the Sun may be a war movie, but its empathy and compassion are what win the day. – Betsy Bozdech

Team #MOTW’s comments:

Marina Antunes We’ve seen stories of women seeking vengeance in the past but few are as powerful as the tale captured by writer/director Eva Husson in Girls of the Sun which tells the story of a battalion of Kurdish women, all former hostages, who escape only to return to hell only this time, they’re in control. The women fight back, quite literally, by arming themselves and going to war against ISIS. The film features gorgeous cinematography from Mattias Troelstrup and an unforgettable performance from Golshifteh Farahani.

Nell Minow: The commitment and understanding of the women who band together in the midst of tragedy and chaos is touchingly portrayed in a rare film that shows the experience of women in armed conflict.

Sheila Roberts French filmmaker Eva Husson’s Girls of the Sun is a fictional work drawn from the testimonies of real Kurdish and Yazidi women who were kidnapped, raped and brutalized by ISIS when the terror group invaded Iraq and Syria. The visceral film reveals the vile treatment they received at the hands of their captors and how they made a dangerous decision to escape and fight back. Read full review.

Loren King Girls of the Sun mixes the immediate power of contemporary news footage with a story of women bonding in the most horrific conditions: on the front lines of fighting ISIS in northern Kurdistan. Read full review.

Susan Wloszczyna: Anyone who craves big-screen depictions of strong females defying victimhood and stereotypes as they rise up against men who oppress, abuse, rape and torture women in times of war will find value and emotional sustenance in director Eva Husson’s Girls of the Sun. Read full review.

Elizabeth Whittemore This narrative gets its power from a perfect combination of cinematography, editing, music, and performances. The strength of women who continue to battle, both physically and emotionally, is portrayed through the stories of a two mothers during wartime, one a soldier and one a war correspondent. Tragedy fuels some while it destroys others. Girls of the Sun utilizes flashback scenes to propel it’s real-time narrative which occurs over only a few days. The “how we got here” aspect is vital to the palpable emotional stronghold. It is not a pleasant film to watch (story wise), so be fair warned. It displays unending brutality but it is 100% worth your attention. Women are not usually the subjects of war films so this is a bright spot among the majority male driven story lines we usually see on screen. This fictionalized story based on true events is merely another example of how women’s opinions are cast aside when it comes to military strategy. Men have had us at war since the beginning of time. Perhaps let a woman lead for a change.

MaryAnn Johanson I’m not sure it entirely works as a film, but do we need a portrait of mordern women soldiers fighting for their nation and their families? Yes, we do. And the notion that eye-patched Marie Colvin has created some sort of iconic standard for women war correspondents? Hell yes.

Jennifer Merin French director Eva Husson’s second feature is a deeply affecting narrative that centers around a battalion of Kurdish women warriors who’ve survived brutal abuse from the extremest men of ISIS who control their town. They go into battle to restore order and sanity to their war torn and disrupted lives. Based on extensive research and interviews with women survivors who actually lived through this ordeal, the film incorporates the personal stories of several of the women soldiers and shows their camaraderie. Husson’s staging of very realistic battle scenes brings you up close to the dangers the women warriors face. Golshifteh Farahani gives a brilliant performance as battalion leader Bahar. The inspiring message here is that women who are caught upinthe horrors of terrorism and war need not let circumstance sweep over them without fighting back.

Cate Marquis Girls of the Sun is a powerful, unblinking drama about the horror of war, offering a unique female-centric view into a conflict that ravaged so many. Read full review.

EDITOR’S NOTE: Read Roxana Hadadi‘s interview with Girls of the Sun producer Didar Domehri


Title: Girls of the Sun

Directors: Eva Husson

Principal Cast: Golshifteh Farahani, Emmanuelle Bercot

Release Date: April 12, 2019

Running Time: 115 minutes

Language: French, Kurdish, English, Arabic with English subtitles

Screenwriter: Eva Husson with Jacques Akchoti

Distribution Company: Cohen Media Group


Official Website

AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Marina Antunes, Nikki Baughan, Betsy Bozdech, Marilyn Ferdinand, Pam Grady, MaryAnn Johanson, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Kristen Page-Kirby, Sheila Roberts, Liz Whittemore, Susan Wloszczyna

Previous #MOTW Selections

Other Movies Opening This Week

Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).