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motw logo 1-35Briskly paced and packed with fascinating information about one of film’s true pioneers, Pamela B. Green‘s Be Natural: The Untold Story of Alice Guy-Blache is a crash course in film history — or, more accurately, film herstory. Because, as it turns out, the roots of cinematic storytelling are as feminine as they can be.
Narrator Jodie Foster introduces viewers to Alice, efficiently covering her background and family life and explaining how she found herself on the forefront of a brand new medium. As the secretary to renowned inventor and motion picture trailblazer Leon Gaumont in the late 1800s, Alice was eager to get behind the cameras and try out her own filmmaking ideas — ideas that led to the earliest known narrative films, like 1896’s “The Cabbage Fairy.” She succeeded beyond expectations, becoming Gaumont’s head of production and eventually forming The Solax Company — the precursor to the large Hollywood studios — in the United States with her husband, Herbert Blache. It’s estimated that she worked on more than 1,000 films, working as writer, director, and producer and introducing techniques that are still used today.

So why, then, isn’t the name off this innovative, creative woman as well known as those of early movie moguls like Louis B. Mayer and Irving Thalberg? Take a wild guess. But in the course of making this engaging, informative film, Green sets out to change that, putting Alice and her incredible body of work in front of a wide range of well-known actors, directors, and other Tinsel Town types. To their credit, they all seem properly impressed — and, once they see her work, appreciative of the influence that Alice and her techniques clearly had on Hollywood moviemaking from Day One.

As a record of the nascent days of motion pictures, “Be Natural” (Alice’s overriding direction to all of her actors) is a must-see for anyone who’s interested in film history and preservation. As a chronicle of an outrageously overlooked female pioneer in an industry that’s been dominated by men for far too long, Green’s documentary is a must-see for anyone who considers themselves a feminist. — Betsy Bozdech

Team #MOTW’s comments:

Susan Wloszczyna: Alfred Hitchcock and Martin Scorsese are among her most ardent admirers. From 1896 to 1920, she directed over 1,000 films, with 150 that still exist and 22 that are feature-length. She was one of the first filmmakers to make movies with a fictional storyline and is thought to be the first female director ever. She was a co-founder of Solax Studios, which eventually was headquartered in Fort Lee, N.J., which was the epicenter of American filmmaking at that time. In 1912, she made the first movie, A Fool and His Money, to feature all-African- American cast. Read full review.

Marilyn Ferdinand: History, they say, is written by the conquerers, and in the case of motion pictures, the winners are men. Against this dominance, women have begun to fight back, demanding an end to unequal pay, screen time, and opportunity. Director Pamela Green’s Be Natural: The Untold Story of Alice Guy-Blaché has arrived at the perfect time. [Full disclosure: I contributed to the Kickstarter campaign to fund the making of this film.] Green illustrates in bittersweet terms how many of today’s biggest names in motion pictures had never heard of Guy-Blaché, the first female film director. Little did we know how deep, rich, and multilayered her story was! Green’s herculean research efforts have resulted in an extremely entertaining, ingeniously told documentary about a woman who should stand with the Lumière brothers, Thomas Edison, and Léon Gaumont as one of the giants of the film industry as the inventor of films that tell stories, the founder of Solax Studios, and the director of hundreds of films. Green’s documentary is a vital corrective to an incomplete and sometimes false history of the industry.

Nell Minow: The highlight of this documentary is the footage of Alice herself, witty, energetic, and creative. This recognition of her contributions is long overdue and most welcome.

Loren King Any director, but particularly women; any cinephile, particularly women, will revel in this examination of the life and work of Paris-born Guy-Blaché, one of the inventors of cinema, who directed, wrote or produced over 1,000 films, including an estimated 150 films with synchronized sound. Read full review.

MaryAnn Johanson Huge kudos to Pamela B. Green for taking on yet another thread of the never-finished job of the constant rediscovery of the achievements and the genius of women. This is such a wonderful tribute to Alice Guy Blanché, so educational and so entertaining, but it’s also exhausting to watch and to be reminded how women are so easily erased from history, and how difficult it can be to rehabilitate their legacies. Read full review.

Jennifer Merin Be Natural: The Untold Story of Alice Guy Blache. And it’s a great and inspiring story timely told. Pamela Green’s well-researched documentary starts at the happenstance start of auteur Alice Guy Blache’s cinema career and follows her fortunes as she ascends to the heights of early moviemaking in Hollywood, where she was the first director to actually use moving pictures to tell stories. While chronicling Alice Guy Blache’s circumstances, the film also serves as a fascinating history of Hollywood. Beautifully crafted, the documentary is packed with absolutely delightful archival footage, much of it previously inaccessible. Alice writes, directs, acts, produces. Her skills are awesome. She is an icon of achievement. Yet, her brilliant work and legacy had been set aside, buried and forgotten by Hollywood’s male-dominated market-fueled interests. Director Pamela Green smartly interviews some of Hollywood’s current honchos — both women and men — who knew little or nothing about Alice Guy Blache and her extraordinary transformative filmmaking. This engaging documentary tribute that should change all of that. Let’s help to make it happen with our #MOTW coverage.

Marina Antunes The struggle of women in film is a conversation that we continue to have today so it comes as little surprise that the achievements of female creators and groundbreakers in the early years of the medium have long been underwritten or completely ignored. Even so, the oversight of Alice Guy-Blaché’s contributions to film seems particularly egregious. Pamela B. Green’s documentary Be Natural finally gives voice to Guy-Blaché’s achievements. Part detective story and part historical re-writing, Green’s pursuit of Guy-Blaché’s accomplishments and her drive to restore this talented woman’s name into the historical record is impressive. In doing so, Green highlights how history, written largely by men, actively ignored or diminished a woman’s voice and accomplishments and how that false history has continued to perpetuate incorrect information despite new facts coming to light. Essential viewing for anyone with an interest in film and film history.

Sandie Angulo Chen: “There is nothing connected with the staging of a motion picture that a woman cannot do as easily as a man, and there is no reason why she cannot completely master every technicality of the art,” Alice Guy-Blaché wrote in 1914 for Moving Picture Journal. And yet, a century later, it’s clear we’re still struggling to accept this fact, and the woman who wrote it had all but been erased from film history, save from the minds of a few academics. As one watches Pamela B. Green’s documentary Be Natural: The Untold Story of Alice Guy-Blaché, it’s difficult not to wonder how someone so seminal to early film as French director Alice Guy-Blaché (the first woman director) isn’t as revered or discussed or studies as male film pioneers. She made 1,000 early films and mastered every aspect of the filmmaking process, including producing, screenwriting, and editing. Narrated by Jodie Foster, the film chronicles Alice Guy-Blaché’s life, which goes from inspiring to tragic as a series of moves and personal tragedies — mostly her ex-husband’s fault — ruined her professional life. Then another series of men – film historians, archivists, and critics — mis-attribute her early works. May this documentary correct the injustices done to this pivotal filmmaker’s legacy, simply because she was a woman.

Sheila Roberts Narrated by executive producer Jodie Foster, Pamela Green’s well-researched documentary, Be Natural: The Untold Story of Alice Guy-Blache, fills an enormous gap in international film history. Award full review.

Cate Marquis Presented in a visually lively style, Be Natural: The Untold Story of Alice Guy Blache goes way beyond merely chronicling the facts of Alice Guy Blache’s life – her innovations, her many awards while working at Gaumont, her marriage to fellow filmmaker Herbert Blache, their immigration to the US where they opened their own movie studio – but gives examples of her films and puts her work in context of both film history and feminist history. Read full review.


Title: Be Natural: The Untold Story of Alice Guy Blache

Directors: Pamela B. Green

Release Date: April 19, 2019

Running Time: 103 minutes

Language: English

Narrator: Jodie Foster

Screenwriter: Pamela B. Green

Distribution Company:


Official Website

AWFJ Movie of the Week Panel Members: Sandie Angulo Chen, Marina Antunes, Nikki Baughan, Betsy Bozdech, Marilyn Ferdinand, Pam Grady, MaryAnn Johanson, Loren King, Cate Marquis, Jennifer Merin, Nell Minow, Kristen Page-Kirby, Sheila Roberts, Liz Whittemore, Susan Wloszczyna

Previous #MOTW Selections

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Edited by Jennifer Merin

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).