WILD HORSE, WILD RIDER – Documentary Retroview by Jennifer Merin

0 Flares 0 Flares ×

It may sound like a reality TV show, but it’s an annual event that has become a way of life for devoted participants. It’s The Extreme Mustang Makeover Challenge, and it’s the subject of this documentary film.

The premise is simple: place 100 wild mustang horses in the hands of 100 capable trainers and give the trainers 100 days to tame the mustangs, teach them a series of tricks and perform with them as a horse and trainer team in a competitive horse show.

The real goal of the competition is greater than winning a trophy or a cash prize. The objective is actually to find homes for the mustangs, all of which have been rounded up by the U.S. Bureau of Land Management from wilderness preserves, where they’ve been running wild and free, most probably without ever having seen a human being before they were captured.

The methods used to train the horses are respectfully gentle, and at the end of the training period and competition, the tamed horses are auctioned off to the highest bidder, who will provide the steed with a good home. Many of the steeds are bought by the trainers who tamed them and, in doing so, bonded with them. Continue reading on CINEMA CITIZEN.

0 Flares Twitter 0 Facebook 0 0 Flares ×

Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).