THE PORTRAIT OF A LADY – Retroview by Martha P Nochimson

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We have heard much questioning about if and in what ways women directors add something new to filmmaking. The Portrait of a Lady seems to me to be exhibit A for contending that some do. However, in revising Henry James’s novel as no man would or could, Jane Campion demonstrates more than the changes that have taken place since 1881; she demonstrates the changes that have not taken place. In thoroughly missing the organic relationship of Isabel’s fantasy life to the plot, earlier critics just assumed Campion was flamboyantly showing off her directorial chops, or sensationalizing James. We failed to see that she was giving the audience a piercing, feminist insight into what happens, at least in some cases, on the road to gender equality. But hang in there, Isabel. Many of us are not running anymore. Continue reading on EYE ON MEDIA.

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Martha P. Nochimson

Martha P. Nochimson’s ninth book, Television Rewired: The Rise of the Auteur Series will be published on July 15, 2019. Her earlier work includes The Passion of David Lynch: Wild at Heart in Hollywood; David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire; and Dying to Belong: Gangster Movies in Hollywood and Hong Kong. She has taught at the Tisch School of the Arts (NYU), and she developed and chaired a film studies program for Mercy College. Currently, she is teaching at the David Lynch Graduate Program in Cinematic Arts. She has covered the New York Film Festival for 18 years, and has also covered the Istanbul International Film Festival and the Montreal Film Festival. She is a long time member of the Columbia University Seminar on Cinema and Interdisciplinary Interpretation. She writes AWFJ's EYE ON MEDIA blog.