FOR SAMA – Review by Cate Marquis

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A young Syrian woman, Waad Al-Khateab, set out to create For Sama as a sort of video diary for her young daughter Sama, about her mother’s college days, meeting her father, falling in love, and their early life. It all sounds so ordinary and sweet – except that this story takes place in Aleppo.

Flashing back from the present, the young mother tells her daughter about going off to college just before the start of the conflict, of the student protests and then the start of the Syrian war. Waad and her friends stay on in the city because they feel a need to help, setting up a hospital with the handful of doctors who remain. The time and place of this personal story makes the film as much a record of the war as of little Sama’s parents’ younger days but this documentary is different from other documentaries about wars told through eyewitness accounts.

In For Sama, the focus is turned in the other direction. In this documentary, it is the personal story that is at the fore, and the war that is the backdrop – a backdrop that keeps getting worse. While that personal story is filled with sweetness, appealing warmth and ordinary life events that any of us would recognize, it is still taking place in Aleppo, as it moves from peaceful to the beginning of the uprising against the Assad regime, and then to the escalating violence of bombings. The combination is haunting and heartbreaking but, although this can be a difficult film to watch, it is an important one, for all the Samas of the world.

EDITOR’S NOTE: For Sama is AWFJ’s Movie of the Week for July 26, 2019

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Cate Marquis

Cate Marquis

Cate Marquis is a film critic and historian based in the St. Louis, Missouri area. Marquis reviews film for the St. Louis Jewish Light weekly newspaper and Playback: stl website, as well as other publications. The daughter of artist Paul Marquis, she was introduced to classic and silent films by her father, as well as art and theater. Besides reviewing films, she lectures on film history, particularly the silent film era, has served on the board of the Meramec Classic Film Festival and is a long-time collaborator with the St. Louis International Film Festival, serving on various juries.