HOBBS & SHAW – Review by Brandy McDonnell

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Cars, kicks, fists, bodies, bullets, trucks, motorcycles, helicopters, jets and exploding shrapnel go flying – along with any notions of the laws of physics, physiology and plausibility– in “Fast & Furious Presents: Hobbs & Shaw.”

The first spinoff in the long-running blockbuster franchise has a lot going for it: Proven action stars Dwayne Johnson and Jason Statham star as the squabbling, superheroically skilled operatives, Golden Globe winner Idris Elba plays a compelling bad guy, and Vanessa Kirby, who co-starred in the practically Shakespearean (not to mention somewhat realistic) by comparison “Mission: Impossible – Fallout,” busts heads and any lingering damsel-in-distress stereotypes as a canny MI6 agent.

Mostly, though, “Hobbs & Shaw” has a lot of a lot, even for a series in which submarines and tanks outrun sports cars and the drivers of those souped-up racers routinely survive a perfectly timed slide under a semi-trailer, a leap from one racing vehicle to another or even a tumble over a cliff – all stunts recapped in the ninth installment of Universal Pictures’ all-time top-grossing franchise.

The globe-trotting extravaganza from stunts whiz-turned-director David Leitch (“Deadpool 2”) and writers Chris Morgan (the “Fast & Furious” mastermind) and Drew Pearce (“Iron Man 3”) jumps from London to Los Angeles to Moscow to Samoa, featuring innumerable fight scenes, high-speed pursuits and assaults on allegedly unassailable secret facilities.

There’s a cavalcade of high-tech gadgets, black-outfitted goons, armed drones, flashy hot rods, enormous explosions and sardonic one-liners, plus multiple family dramas, a High Altitude, Low Open parachute jump and not one but two uncredited A-lister cameos.

With “Hobbs & Shaw,” Johnson reprises his role as brawny, wisecracking Luke Hobbs, a former agent of the U.S. Diplomatic Security Service who first appeared in 2011’s “Fast Five,” while Statham again plays the slick and skilled Deckard Shaw, a British intelligence officer turned mercenary who made his series debut in 2013’s “Fast & Furious 6.” With the actors’ winning chemistry and their characters’ opposing styles, it’s easy to see why the filmmakers would want to reunite them after forcing them to team up in 2017’s “The Fate of the Furious.”

This time, Hobbs and Shaw are recruited by their respective governments to track down a rogue MI6 agent accused of killing her own black ops team and stealing the dangerous manmade virus they were supposed to intercept. That agent turns out to be Hattie Shaw (Kirby), Deckard’s estranged younger sister, who has been set up by a mysterious tech cult called Eteon. The point man for the bionically enhanced fanatics is self-proclaimed “black Superman” Brixton (Elba), who has a rocky history with Deckard.

If the writing was upgraded – at one point, Elba actually snarls the line “Genocide, schmenocide,” words it’s hard to fathom any human actually getting paid to write or say – “Hobbs & Shaw” might make for entertaining escapist thrill ride for about an hour and 45 minutes. Although the target audience might not mind the extra half-hour of runtime – my 12-year-old son enjoyed the film – after more than two hours of smashing, crashing and bashing, the adrenaline wears off, the eye rolls can’t be stopped and the latest “Fast & Furious” film feels slow and boring.

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Brandy McDonnell

Brandy McDonnell writes features and reviews movies, music, events and the arts for The Oklahoman, Oklahoma's statewide newspaper, and NewsOK.com, the state's largest news Web site. Raised on a farm near Lindsay, Okla., she started her journalism career in seventh grade, when she was elected reporter for her school's 4-H Club. Taking her duties seriously, she began submitting stories to The Lindsay News, and worked for the local weekly through high school. She attended Oklahoma State University, where she worked for The Daily O'Collegian and earned her journalism degree with honors. She worked for three years at small Oklahoma dailies The Edmond Sun and Shawnee News-Star. In 2002, she joined The Oklahoman as a features reporter, writing about movies, the arts, events, families and nonprofits. She moved to The Oklahoman's entertainment desk in 2007. In 2004, she won a prestigious Journalism Fellowship in Child & Family Policy from the University of Maryland's Philip Merrill College of Journalism. Along with her membership in AWFJ, she also is a founding member of the Oklahoma Film Critics Circle. Brandy writes The Week In Women blog for AWFJ.org.