TIGERS ARE NOT AFRAID – Review by Cate Marquis

0 Flares 0 Flares ×

Tigers Are Not Afraid, a mix of magical realism and horror film about children living under the devastating conditions of the Mexican drug wars, starts in a reassuringly normal place, a classroom full of grade school children working on an assignment. That assignment is to create a fairy tale story. One preteen girl writes about a prince who wants to become a tiger, because tigers are never afraid. But he can’t become a tiger because he has forgotten how to be a prince. “We forget how to be princes, warriors, tigers, when the things from outside come to get us,” she writes, just before gunfire outside reminds us about just where we are.

It is a striking introduction to this Spanish-language tale of children caught in the Mexican drug wars, a conflict that has left whole neighborhoods empty and countless children orphaned. Images of tigers, or references to them, are everywhere through out this harrowing, haunting tale from filmmaker Issa Lopez.

Suddenly, the girl in the classroom, Estrella, finds herself thrown in with a group of rough orphaned boys of various ages who are living on the streets. Together they must cope with the drug lords who murdered their parents, in this half-magical, half nightmarish world that feels like a ghost story crossed with a fairy tale. The gritty realism of the street blends with touches of animation and surreal, nightmarish images, magical realism that brings to mind the earliest films of Guillermo Del Toro, in a remarkable tale of traumatic childhood.

EDITOR’S NOTE: Tigers Are Not Afraid is AWFJ’s Movie of the Week for September 6, 2019

0 Flares Twitter 0 Facebook 0 0 Flares ×
Cate Marquis

Cate Marquis

Cate Marquis is a film critic and historian based in the St. Louis, Missouri area. Marquis reviews film for the St. Louis Jewish Light weekly newspaper and Playback: stl website, as well as other publications. The daughter of artist Paul Marquis, she was introduced to classic and silent films by her father, as well as art and theater. Besides reviewing films, she lectures on film history, particularly the silent film era, has served on the board of the Meramec Classic Film Festival and is a long-time collaborator with the St. Louis International Film Festival, serving on various juries.