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Oscar-nominated documentarian Irene Taylor Brodsky composes a deeply personal film as well as a tuneful tribute to living with deafness in Moonlight Sonata: Deafness in Three Movements.

A 2019 Sundance Film Festival selection, Moonlight Sonata is essentially the sequel to her 2007 Sundance Audience Award-winning film Hear and Now, which chronicled the decision by Brodsky’s parents, Paul and Sally Taylor, to get cochlear implants at age 65 after living their entire lives with deafness. But it’s not necessary to see the Peabody Award-winning 2007 documentary to follow her new cinematic memoir.

Although Brodsky and her siblings can all hear, she and her husband get a stark reminder that hereditary hearing loss can skip a generation when their oldest son Jonas goes deaf as a toddler and is quickly fitted with his first cochlear implants.

The story picks up when Jonas, an ornery, action-packed 11-year-old taking piano lessons, becomes enamored of Ludwig van Beethoven’s Moonlight Sonata. He is determined to learn the piece even though his teacher warns him that it may be too difficult musically as well as emotionally for someone his age.

Even as the boy’s youthful enthusiasm flags and his frustration levels rise, Jonas’ fascination with the iconic piece inspires his mother, who learns through her research that Beethoven composed what’s formally known as “Piano Sonata No. 14” as he was losing his hearing.

Impressionistic watercolor animations by Jordan Domont and Brian Kinkley weave Beethoven’s story into the family narrative, which gains its third movement when Brodsky’s father, Paul, an engineer and inventor who helped pioneer TTY telecommunications technology for deaf people, begins to experience memory loss and confusion.

Diagnosed with early-stage dementia, Paul begins to lose some of the hard-won freedoms that prevented his world from becoming too narrowed by his deafness.

Intimate and engrossing, Moonlight Sonata perhaps isn’t as narratively sound as it could have been. But the documentary accomplishes a fundamental goal of art by allowing us to experience other people’s lives, struggles and triumphs, hopefully furthering our understanding of what it means to be deaf in a world wired for sound.


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Brandy McDonnell

Brandy McDonnell writes features and reviews movies, music, events and the arts for The Oklahoman, Oklahoma's statewide newspaper, and, the state's largest news Web site. Raised on a farm near Lindsay, Okla., she started her journalism career in seventh grade, when she was elected reporter for her school's 4-H Club. Taking her duties seriously, she began submitting stories to The Lindsay News, and worked for the local weekly through high school. She attended Oklahoma State University, where she worked for The Daily O'Collegian and earned her journalism degree with honors. She worked for three years at small Oklahoma dailies The Edmond Sun and Shawnee News-Star. In 2002, she joined The Oklahoman as a features reporter, writing about movies, the arts, events, families and nonprofits. She moved to The Oklahoman's entertainment desk in 2007. In 2004, she won a prestigious Journalism Fellowship in Child & Family Policy from the University of Maryland's Philip Merrill College of Journalism. Along with her membership in AWFJ, she also is a founding member of the Oklahoma Film Critics Circle. Brandy writes The Week In Women blog for