LOUISIANA FILM PRIZE: Filmmaker Camille Schmoutz on the Making and Meaning of ST ESTHER DAY – Jennifer Merin interviews

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Camille Schmoutz’s St Esther Day is an elaborate period drama about the clash of socioeconomic classes in San Francisco at the turn of the 20th century. St Esther Day is an excellent example of how much story can be told, how much atmosphere can be evoked and how much social relevance can be conveyed in a short film. Produced in Shreveport specifically for submission for the 2019 Louisiana Film Prize’s $50,000 top award, the film took advantage of the city’s unique locations and ambiance.

The story revolves around a Swedish immigrant housekeeper who is quietly outraged by her snobbish upper class widowed employer whose imperious behavior impacts the woman’s sheltered daughter as well as her own. Based on a true story, the film is a beacon of feminism. It also a shining example of the film production stimulated by the unique Louisiana film Prize competition. Continue reading on THE FEMALE GAZE

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Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is a member of the Critics Choice Association in the Film, Documentary and TV branches and a voting member of the Black Reel Awards. For her AWFJ archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).