THE REPORT – Review by Brandy McDonnell

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Good intentions don’t necessarily make for good films, as evidenced by the leaden and overly long “The Report.”

Writer-director Scott Z. Burns, best known for writing Steven Soderbergh’s “The Informant!,” “Contagion” and “The Laundromat,” is a man on a mission with the fact-based political drama. Adam Driver stars as Daniel J. Jones, a meticulous Senate Intelligence Committee investigator who is tasked by Sen. Dianne Feinstein (Annette Bening) with investigating the CIA’s efforts to gloss over the “enhanced interrogation techniques” — aka torture — its field agents used on detainees following the Sept. 11 attacks as well as conceal the fact that all the waterboarding, mock burying and sleep depriving didn’t actually render any worthwhile intelligence.

Jones spent five years compiling his 6,700-page report, and unfortunately, the movie feels at least this long, with the paper shuffling and screen scrolling occasionally broken up by flashbacks to the CIA black ops sites where the torture is happening. These scenes are understandably hard to watch, and Burns just keeps coming back to them.

Holed up in a subterranean office, his research team steadily whittled down, he faces all kinds of political obstacles to the finding and uncovering the truth. Driver does a great job showing the character’s slow-building obsession and anger.

The film boasts a fine supporting cast – Jon Hamm, Maura Tierney, Michael C. Hall, Corey Stoll, Matthew Rhys and Tulsa native Tim Blake Nelson – but they mostly get to spout obvious lines or blocks of exposition, and most of their characters don’t get a narrative arc that actually goes anywhere. This is mostly Driver’s movie, and his performance, while excellent as usual, feels almost like it’s an acting workshop rather than the heart of a movie.

Films like “Spotlight” and “All the President’s Men” have shown that investigating injustice can be translated into compelling filmmaking. But that’s not what viewers get with “The Report” – and since Burns literally writes into the credits a plea for the release of Jones’ full report, not just the 525-page summary unveiled in 2014, it’s not even clear that a good movie is really what he’s trying to make.

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Brandy McDonnell

Brandy McDonnell writes features and reviews movies, music, events and the arts for The Oklahoman, Oklahoma's statewide newspaper, and, the state's largest news Web site. Raised on a farm near Lindsay, Okla., she started her journalism career in seventh grade, when she was elected reporter for her school's 4-H Club. Taking her duties seriously, she began submitting stories to The Lindsay News, and worked for the local weekly through high school. She attended Oklahoma State University, where she worked for The Daily O'Collegian and earned her journalism degree with honors. She worked for three years at small Oklahoma dailies The Edmond Sun and Shawnee News-Star. In 2002, she joined The Oklahoman as a features reporter, writing about movies, the arts, events, families and nonprofits. She moved to The Oklahoman's entertainment desk in 2007. In 2004, she won a prestigious Journalism Fellowship in Child & Family Policy from the University of Maryland's Philip Merrill College of Journalism. Along with her membership in AWFJ, she also is a founding member of the Oklahoma Film Critics Circle. Brandy writes The Week In Women blog for