MARRIAGE STORY – Review by Susan Granger

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You know the feeling when you have a very painful scab on your knee and you keep picking at it? That’s what writer/director Noah Baumbach has created in this bitter, corrosive tale about the dissolution of a marriage.

Beginning as ‘cinema verite,’ recalling the 1960s French film movement which featured natural actions and authentic dialogue, it inexplicably then morphs into near-farce and melodic metaphors.

As their story unfolds, Nicole (Scarlett Johansson) and Charlie (Adam Driver) recall what they adore about each other. She’s fun, playful and a superb dancer. He’s tidy, great with their son and cries at movies. But their marriage is about to dissolve and even a mediator can’t keep their discourse civil.

Charlie’s a dedicated Brooklyn theater director and, for years, Nicole has been his leading lady. But now she’s been offered a TV series, filming in Los Angeles, where her family lives. So Nicole takes their eight year-old son, Henry (Azhy Robertson), and moves back to where she grew up, enjoying the proximity to her mother (Julie Hagerty) and sister ((Merritt Wever).

After Nicole hires brash, high-powered Nora Fanshaw (Laura Dern), a divorce lawyer, Charlie realizes Nicole’s Los Angeles ‘visit’ is going to become permanent and, if he wants shared custody of Henry, he’ll have to lawyer-up too. Enter Ray Liotta and Alan Alda.

Supposedly, this is based on the emotional baggage of Noah Baumbach’s 2010 contentious divorce from Jennifer Jason Leigh, but that’s no excuse for the exhausting,seemingly endless bickering between these privileged, affluent protagonists.

What’s admirable are the gutsy, no-holds-barred performances. Scarlett Johansson is devastating as the unfulfilled actress who’s tired of playing a subsidiary, supporting role, while Adam Driver oozes confusion and pain as the reality of their bicoastal dilemma slowly dawns on him.

FYI: Previous splitsville sagas include “Kramer vs. Kramer,” “Shoot the Moon” and “War of the Roses.”

On the Granger Movie Gauge of 1 to 10, “Marriage Story” is an incisive 7. It’s a deep, painful dive into divorce.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.