A HIDDEN LIFE – Review by Diane Carson

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A Hidden Life honors WWII conscientious objector Franz Jägerstätter

Writer/director Terrence Malick’s fans will not be surprised that A Hidden Life unfolds for almost three hours with overwhelmingly gorgeous cinematography and character introspection. Based on true events, in 1939, Austrian farmer Franz Jägerstätter resides in St. Radegund, a beautiful, incongruously quiet mountain village. War looming, Franz reports to basic training, leaving behind wife Fani and three daughters.

Brief Introductory footage from Leni Riefenstahl’s “Triumph of the Will,” glorifying Hitler, and black-and-white archival war footage interjected during Franz’s training accentuate the ominous contrast between idyllic home life and devastating hostilities. Linear in structure, the story meditates poetically and philosophically on Franz’s return to his small town, his farm work and his married life resuming until escalating WWII battles require Franz to report for duty, including his swearing an oath of loyalty to Hitler. An ethical, principled man, Franz becomes a conscientious objector, at peace with himself but in conflict with his insular community. His family supportive but in distress, Franz goes to jail with an ensuing trial tragic for him.

Cinematographer Jörg Widmer’s camera follows his characters in many early scenes, panning, tilting, and floating forward in ways reminiscent of Malick’s Tree of Life, on which Widmer also worked. As always with Malick, exquisite, even dazzling compositions and evocative, ethereal music convey the depths of emotion, also expressed in the tender letters read periodically in voiceover, letters written between Franz and Fani during his training and upon his incarceration. Over two years in editing, A Hidden Life flows from one scene to another, convincingly shifting from a loving family in distress to combative social interaction.

As Franz, August Diehl wordlessly telegraphs the soul searching and emotional agony of his dilemma, a poignant embodiment of moral courage. In 2007, the Roman Catholic Church beatified Jägerstätter, testimony to his moral purity, even though Franz’s priest at the time encouraged him to serve. By any standards, he’s an inspirational individual, and Malick employs his expertise to present him in a deeply moving, magnificent film. In English and German with English subtitles.

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Diane Carson

Diane Carson, Ph.D., Professor Emerita, has reviewed films for over 25 years and has covered the Cannes, Telluride, Toronto, Palm Springs, and Sundance festivals. She writes for KDHX, 88.1 FM. St. Louis’ community radio. One of the founders of the St. Louis International Film Festival, she continues to serve on juries. A past president of the University Film and Video Association, she taught film studies and production at St. Louis Community College and at Webster University. Her new book, written with two colleagues, is “Appetites and Anxieties: Food, Film, and the Politics of Representation,” Wayne State U. Press, 2014.