LES MISERABLES – Review by Diane Carson

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Les Misérables watches a delicate balance teeter and fall.

French cinema has produced gripping police procedurals. To that group must now be added writer/director Ladj Ly’s Les Misérables, a film with no connection to the musical by that name. Instead the title refers to embattled Parisian banlieue (district) Les Bosquets where the film is set and where Victor Hugo located important scenes in his famous 1862 novel Les Misérables.

And miserable, indeed, are the residents and the police who patrol the area, introduced through newly assigned crime unit Brigadier Stéphane Ruiz. Through his own initiation hazing, Stéphane quickly learns about his partners, the experienced pair of Gwada and Chris. They’re both streetwise and hardened, abusive and indifferent to discrimination on full display. They care only about keeping a precarious, delicate balance between the police and the combative, impoverished, housing project residents.

The community’s various factions have negotiated their own hierarchical system: the so-called Mayor who collects protection money from the sundry market stall entrepreneurs, authoritative kebab cafe owner Salah who is the most even-tempered figurehead, and the unruly teenagers ready to erupt. The always endangered relationships will teeter and collapse into shocking violence with the theft of a lion cub from a Gypsy traveling circus, an injured boy, and drone footage of the police confrontation, not that this slippery, semi-truce didn’t threaten complete, brutal rupture at any moment by those on either side of the divide. But as impressive is the vibrant, albeit inequitable, environment powerfully depicted by co-writer/director Ly who grew up in the area and has compellingly captured it in his debut feature film.

Reportedly inspired by the 2005 Paris suburb riots, the throngs in the opening scene celebrate France’s 4 – 2 World Cup victory over Croatia. This energy and release will transition to a threatening mob. It doesn’t take a huge leap of imagination to find parallels to events here or worldwide.

Les Misérables won the Jury Award at last year’s Cannes Film Festival and is France’s submission for this year’s Best Foreign Film Oscar. In French with English subtitles.

EDITOR’S NOTE: You may also be interested in reading Susan Granger’s review of Les Miserables

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Diane Carson

Diane Carson, Ph.D., Professor Emerita, has reviewed films for over 25 years and has covered the Cannes, Telluride, Toronto, Palm Springs, and Sundance festivals. She writes for KDHX, 88.1 FM. St. Louis’ community radio. One of the founders of the St. Louis International Film Festival, she continues to serve on juries. A past president of the University Film and Video Association, she taught film studies and production at St. Louis Community College and at Webster University. Her new book, written with two colleagues, is “Appetites and Anxieties: Food, Film, and the Politics of Representation,” Wayne State U. Press, 2014.