BEYOND THE VISIBLE: HILMA AF KLINT – Review by MaryAnn Johanson
I’m not much of a fan of abstract art, but I’ve just discovered an abstract artist whose work I adore. Huge canvases in colors simultaneously delicate and bold, with motifs geometric yet also somehow natural. These are enigmatic paintings, vaguely scientific, hinting at the secret world of atoms and molecules; but also organic, suggestive of flowers and jellyfish and other beautiful oddities of flora and fauna. There is duality in these images, and wisdom. Rather miraculously, this body of work is both rational and spiritual at the same time. The whole universe seems to be contained herein, all its wonders and mysteries. I’m astonished by the beauty of these works, and deeply moved and inspired by them like I never have been before by abstract imagery.
Oddly enough, the entire world is only just discovering this artist, even though she has been dead for almost 80 years. How is that even possible? The clue is in the pronoun: she. Swedish visionary Hilma af Klint was a pioneering artist who was way ahead of her time. She didn’t merely create stunning works of abstract art: she invented abstract art. Her first abstract canvas is dated 1906, four years before Wassily Kandinsky’s, who is still generally considered the earliest abstract painter. Continue reading…
EDITOR’S NOTE: Beyond the Visible: Hilma af Klint is AWFJ’s Movie of the Week for April 17, 2020