KATE NASH: UNDERESTIMATE THE GIRL – Review by Susan Wloszczyna

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As musical biopics go, Amy Goldstein’s Kate Nash: Underestimate the Girl is what would happen if American Idol’s backstories of its aspiring singing contestants had less heart-tugging sob content and more honesty about how becoming a chart-topping star is not quite what it is cracked up to be these days. That is especially true for females in the industry, no matter how fiercely feminist they are. For example, right now in your news feed you can just google “Miley Cyrus” and find a garbage story about how her “quarantini bikini” has been declared “unhygienic” by the masses.

I have to say I have never heard of this British pop artist until now (although right after watching the doc, I finally caught up with a few episodes of GLOW, her streaming show about ‘80s female wrestlers). This attractive outgoing singer-songwriter, who looks like a combo of Kristin Wiig and Nicole Kidman, came of age in the era of MySpace, which became her entrée onto the music charts with her sleeper hit 2007 single Foundations. A No. 1 album in the UK and an award for Best British Female Artist at the 2008 Brit awards followed. But then her major label abruptly dropped her. And her struggles to continue to be an artist became very real.

The footage of her concerts shows is steeped in DIY aesthetics – lots of glitter, spangles and tulle — and pumped up by riot grrrl energy with her all-girl band and a fan base that is primarily female. Nash has the pipes, the charisma, the energy and the talent to fill an arena but must make do with small venues with few frills. The camera follows her to Los Angeles as she attempts to fund her career by writing songs for others and recording commercials. But it is Nash’s refreshing honesty and willingness to share her ups and downs – including selling bags and bags of clothes for quick cash — and flagging fame experience in the moment on screen that provide the most riveting moments.

A late-arriving betrayal by her manager is a kick in the gut, but Nash manages to eventually win this round just by standing her ground. As the doc concludes, Nash has moved back to Los Angeles after winning her role on GLOW, somewhat richer and quite a bit wiser about the fickle vagaries of showbiz.

EDITOR’S NOTE: Kate Nash: Underestimate the Girl is AWFJ’s Movie of the Week for May 29, 2020

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Susan Wloszczyna

In her nearly 30 years at USA Today, Susan Wloszczyna interviewed everyone from Vincent Price and Shirley Temple to Julia Roberts and Will Smith. Her coverage specialties include animation, musicals, comedies and any film starring Hayley Mills, Sandy Dennis or hobbits. Her crowning career achievements so far, besides having Terence Stamp place his bare feet in her lap during an interview for The Limey, is convincing the paper to send her to New Zealand twice for set visits, once for The Return of the King and the other for The Chronicles of Narnia and King Kong, and getting to be a zombie extra and interview George Romero in makeup on the set for Land of the Dead. Though not impressive enough for Pulitzer consideration, she also can be blamed for coining the moniker "Frat Pack," often used to describe the comedy clique that includes Ben Stiller, Vince Vaughn and Will Ferrell. Her positions have included Life section copy desk chief for four years and a film reviewer for 12 years. She is currently a contributor for the online awards site Gold Derby and is an Oscar expert for RogerEbert.com. Previously, she has been a freelance film reporter and critic, contributing regularly to RogerEbert.com, MPAA’s The Credits, the Washington Post, AARP The Magazine online and Indiewire as well as being a book reviewer for The Buffalo News. She previously worked as a feature editor at the Niagara Gazette in Niagara Falls, N.Y. A Buffalo native, she earned her bachelor's degree in English at Canisius College and a master's degree in journalism from Syracuse University.