GREYHOUND – Review by Susan Granger

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Set in February, 1942, this W.W.II saga revolves around U.S. Naval Cmdr. Ernest Krause (Tom Hanks) whose first command position is aboard the USS Keeling – codename Greyhound – leading a convoy of 37 Allied ships across the treacherous North Atlantic to Liverpool, England.

A brief prologue reveals Krause exchanging Christmas gifts with his adored Evie (Elisabeth Shue) in a San Francisco hotel lobby. When she turns down his marriage proposal, he vows to wait for her for as long as it takes.

Then it’s off to war on the high seas, as Krause’s destroyer is doggedly pursued by German U-Boats (submarines), launching deadly torpedoes.

Since American planes could guard the convoy only up to a certain point in the Atlantic, they’re completely unprotected for a treacherous five-day stretch – known as the “black pit” – before British planes can offer air cover on the other end.

The “Battle of the Atlantic” was a continuous campaign from 1939-1945, chronicling the movement of troops and supplies across the Atlantic Ocean; 3,500 cargo ships were sunk and 72,200 “souls” died.

Based on C.S. Forester’s The good Shepherd (1955), it’s adapted by Tom Hanks and tautly directed by Aaron Schneider, who opts for narrative realism over emotional involvement.

As pious, empathetic Commander Krause, Tom Hanks carries the entire film since other characters – like the loyal navigator Charlie Cole (Stephen Graham) and the conscientious African-American chef George Cleveland (Rob Morgan) – are barely delineated.

During Greyhound’s aggressive and defensive maneuvers, there’s lots of detailed naval jargon. For example, “Huff-Duff” refers to high-frequency direction-finding, which is how the Allies used radio traffic to track German U-Boats in order to attack them.

The Germans periodically broadcast taunting messages, like: “Did you think you’d slipped away from this gray wolf? You and your comrades will die today.”

On the Granger Movie Gauge of 1 to 10, Greyhound is a seriously stressful 6, profiling stoic resilience under pressure.

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Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.