FIRST COW – Review by MaryAnn Johanson
It’s a simple story about friendship and hope. It’s a gently revisionist Western that literally pushes the clichés of the genre out the door in favor of reconsidering stereotypes of masculinity and reworking the fables of “frontiers.” It’s a softly savage deconstruction of the violence and the ironies of the American dream — of capitalism itself. It’s one of the most astonishing movies I’ve seen this year.
Every frame of First Cow, Kelly Reichardt’s latest masterpiece, oozes caustic contradiction. Warmth and compassion of the immediate moment is constantly overshadowed by a terrible suspense working on multiple levels, and all of that is in turn haunted by the slow burn of injustice on scales unseen by the characters caught up in their lives and in their own slice of history, but quite obvious — and enraging — to us looking in from the future. Continue reading…